Category Archives: Columns

6th Annual Book Tournament Brackets – A Taste of The Hunger Games

March is known for at least one thing every years, NCAA March Madness and it is right around the corner. And with that is the continuation of the BSC Book Tournament. In case you were curious, yes the two events ARE similar! Our tournament is set up in the style of March Madness where we will eventually crown the Best Dystopian Novel of 2011 (as voted by our readership).

This is the first year Optionated will be participating in the BSC Book Tournament. Because of the world wide phenomenon caused by The Hunger Games over the last year, our tournament will give you a taste of The Hunger Games with 32 dystopian novels fighting to be crowned the winner.

The rules are these: eligibility is determined by a book being published for the first time in 2011, in the science fiction or fantasy genre, YA inclusive (anthologies are only considered if they are not reprints). The selected contestants are bracketed out into four groups; within each bracket the seeds are matched highest to lowest, and a voting poll is put up on our website. The poll will remain open the designated length of time (schedule TBA), and winners are determined strictly by the highest number of votes.  The winners of each round of voting will be matched to their next opponent on a pre-designated schedule (to be announced at the end of this week, in advance of any match-ups). Repeat the steps until we have four bracket champions, who will then play against one another to determine which books proceed to the consolation round, and which to the championship.

Because, as with Highlander, in the end there can be only one.

You can see our list of 32 contestants in their four brackets below:

Future Apocalypse Bracket

  1. Incarceron – Catherine Fisher
  2. Ship Breaker – Paolo Bacigalupi
  3. Birthmarked – Caragh M. O’Brien
  4. Fever Crumb – Philip Reeve
  5. Legend – Marie Lu
  6. The Death Cure – James Dashner
  7. Across The Universe – Beth Revis
  8. All These Things I’ve done – Gabrielle Zevin

Global Catastrophe Bracket

  1. Epitaph Road – David Patneaude
  2. The Eleventh Plague – Jeff Hirsch
  3. Enclave – Ann Aguirre
  4. Wither – Lauren Destefano
  5. Awaken – Katie Kacvinksky
  6. Ashes – Ilsa Bick
  7. Delirium – Lauren Oliver
  8. Eve – Anna Carey

Female Lead Bracket

  1. Uglies – Scott Westerfeld
  2. Matched – Ally Condie
  3. The Line – Teri Hall
  4. 21 Erased – Barbara Rayne
  5. Helper 12 – Jack Blaine
  6. Divergent – Veronica Roth
  7. Dark Parties – Sara Grant
  8. Bumped –  Megan McCafferty

Male Lead Bracket

  1. The Scorpio Races – Maggie Stiefvater
  2. The Gardener – S.A. Bodeen
  3. Ashfall – Mike Mullin
  4. Ready Player One – Ernest Cline
  5. The Water Wars – Cameron Statcher
  6. Dark Life – Kat Falls
  7. Vortex – Robert Charles Wilson
  8. Dark Inside – Jeyn Roberts

Voting will begin on Monday, March 12, 2012 for the Future Apocalypse Bracket and Global Catastrophe Brackets and on Tuesday, March 13, 2012 for the Female Versus Male brackets.

You can see the full schedule of matches here, and begin voting for round one here. 

Please follow us at @Optionated_  for Twitter or here for Facebook!

Discover The (Gorgeous) Secret World of Arrietty – A Review

Why are you interested in this adaptation?

Elena-

The real question is why would I NOT be interested in this movie?

I love animated films.  And by animated I mean cartoons. Anime is one of the few remaining sources for old-school animation, and it’s also essentially the only place you find animation for adults that is therefore moving the techniques and aesthetics of the medium forward still.

I also enjoy anime as a genre, although I never really go out of my way to find it…but when it comes to me, I see it and enjoy.

To the final relevant point in this discussion, I enjoy fairy tale/folk tale type stories, especially new ones (either new to me or original stories in that vein), and the idea of a world of little people who live in a small corner of our world is right along the traditional folk lines.

Rachel-

Sure, I read the plethora of novels about small things when I was a kid (The Borrowers, Indian in the Cupboard, etc.) but I’m in this for Studio Ghibli. I pretty much love Every. Single. Thing. Ghibli has ever produced. (Except Tales from Earthsea, but we can talk about that later…)

They’re just sooo friggin beautiful! And there are lots of girl heroes! The stories are also much more varied than the Disney offerings of the last 15 years, and I really appreciate that. I didn’t discover Ghibli until college, but I was an instant convert.

If you’ve never heard of Studio Ghibli or its founder, Hayao Miyazaki, you probably remember Spirited Away winning an Oscar about 10 years ago, or you’ve seen the Ghibli character of Totoro making cameos in a few Pixar films. Suffice it to say, Miyazaki and his Studio Ghibli are extremely influential, and to call him the Japanese Disney is at once accurate and entirely misleading.

And yes, my favorite is Nausicaa. People are never surprised by this.

Elena-

I would like to point out another instance of my growing up under a rock: I had no idea what The Borrowers book series was until after I had seen this movie when I was recommending it to a friend and she was all, “Oh, I wonder if it was based on The Borrowers books?”

And for the record Howl’s Moving Castle is probably my personal favorite Ghibli film, but that’s probably just because it’s so abstract and weird, especially in the middle.

 

What would make it awesome?

Rachel-

I don’t really know what to expect. I’ve purposefully only seen the teaser trailer. I know it’s beautiful already, and I won’t be disappointed there. I also know it won’t follow The Borrowers‘ plot even though some of the names are the same. The teaser trailer doesn’t really let you know any plot details, so I can’t point to any specifics. I assume the Borrowers will be discovered, and there will be an escape of some kind.

I’m also looking forward to the soundtrack and even the sound editing, which in Ghibli films is always excellent. Judging from the teaser trailer and posters this is going to be a nature-heavy film (most of them are, but I’m thinking of My Neighbor Totoro especially), and I’m looking forward to seeing the fruits of the extensive research Miyazaki and his team have obviously done.

Elena-

I am going to take this question as, what would make it not just good but FUCKING GOOD.  To that end…if the animation is really creative and proves why this has to be a 2-d animation movie.  What I mean by this…there were scenes in some of the Cowboy Bebop episodes that literally could not be filmed in live action.  The angles and perspectives were just too extreme.  That is pushing animation as a film technique forward.  If this movie has that kind of A-game animation, and a really good and original story, then it will be off the chain.

At this point with the track record Rachel and I have had on watching movies together, I’ll settle for just a really good and slightly original story!

 

What would make it suck?

Elena-

I don’t really think there’s a lot of feasible ways to make this film terrible.  Maybe if they just rewrote the story of the original and were working with either a spliced version of the visuals or trying to fit a new story onto the original animation.

But if they’re working with the original movie (which is highly acclaimed and would not be chosen for export if it were not solid), just dubbed in English, there’s nothing that will make this awful short of using Gilbert Gottfried and Fran Drescher as the voice talent.

Rachel-

Before I had seen Tales from Earthsea, I would have said with great confidence that no Studio Ghibli film could ever disappoint me, but Miyazaki’s son definitely did that with Earthsea. There’s some drama behind that film (it led to a feud between father and son because Hayao didn’t think his son Goro was ready to direct, and the film was based upon not just Ursula Le Guin’s novels but also Hayao’s manga. You can see how things got touchy). While Tales from Earthsea had the quality animation we’ve all come to expect from Studio Ghibli, it was a rambling, incoherent mess. It suffered from too much going on, the type of interrupted plot lines you get when you watch condensed film versions of really long anime series.

I hope the story is simple. That’s what Studio Ghibli excels at.

 

Thoughts on casting/production?

Rachel-

While Hayao Miyazaki’s name is attached to Arrietty, he is not directing it. He did write the screenplay and is involved in production, so I am confident that this won’t be another Tales from Earthsea.

I am disappointed in the fact that I’ll be watching a US-specific dubbing when I see it in the theater. In general, I find the Disney-lead American dubs to be more about using famous voices to get American parents to see a film with their children than picking good voice actors. In fact, they generally don’t even use professional voice actors at all, which is really disappointing! The US dub features Amy Poehler, Will Arnett, and Carol Burnett. A more inspired casting than, say…Christian Bale in Howl’s Moving Castle…but I’ll bet the UK version will be better. (Although…Christian Bale could technically be the UK dub of that one, except I don’t believe they did region specific dubbing on that film, just Japanese and English)

Elena-

I…didn’t even bother to watch the trailer.  I read the synopsis and country of origin and knew I wanted to see it.  I actually don’t want to go into the film with any expectations—I think in this case a blank slate might be better for me—so, long story short, no, I have no additional thoughts about this production before I see it.

 

Reaction to film:

Rachel-

AHHH. IT WAS SO GOOOD!!!

Legit. Look at this. LOOK AT IT.

The dubbing was fine; there really wasn’t all that much dialogue to begin with. I was having little artgasms examining all the scenes filled with random bits of stuff and trash that the Borrowers had converted into useful objects. Just looking in the corners of their home was worth the ungodly price of NYC admission. It really was.

I loved how ridiculously brave Arrietty was. It was a wonderful counter to the careful details that really made the audience FEEL how being that small must feel. Simple human movements became lumbering, clumsy and ominous. And yet when confronted by cats, insects, chasms and heart stopping realizations, Arrietty just stood and faced it. NO. FEAR. It was just amazing. The boy that the lonely Arrietty befriends, Shaun in the American dub (Sho in the Japanese version), was kind of horribly creepy. But I liked that. He wasn’t charming or really that endearing. He was almost zombie-like in the way he moved around the house and how he just sat, unmoving. He came across as a very sick and lonely boy with no one to talk to and not very much to say anyways. But his intentions were good, if misguided. But yea, that scene (that I now know is in the official Trailer because I watched it) when Arrietty and her father and taking tissue and she realizes Shaun is just STARING at her…that was terrifying!

I also liked the sad little ending. The two new friends must part, never to meet again, but you know that Arrietty will continue her adventures and you feel happy for her that she is going somewhere where she can make friends (and possibly boyfriend! I laughed when a friend of mine who was seeing it at the same time but in another state texted me “Spiller is totally husband material. He grunts, he flies, and he can steer a kettle down a river!”). I’m not sure what happens in the Japanese version as I haven’t gotten my hands on a subbed version yet, but in the American dub Shaun doesn’t die like I was CONVINCED he would. I know in the Borrower novels the boy is the one telling the stories, and you don’t really know if everything he writes about happened or if he is just making it all up. So I assume that Shaun surviving is a nod to those novels. I don’t know why I was so morbid about him. He seemed pretty lackluster as a character. Arrietty definitely stole the show. Hell, Spiller was more interesting than creepy Shaun.

Favorite Scene: When Arrietty is sitting in the crawl space and the roly-poly bug comes up and she uses it as a ball. I don’t know why but I was SO HAPPY when that happened.

Least favorite scene: The freaking CROW in the screen of the window! HOLY CRAP. I mean, hilarious, especially when Haru came in and solved the issue by beating it on the head with her shoe. That scene had me laughing, but I also felt like it was kind of intensely crazy? I dunno. It was like meditating in the glow of a warm and happy film full of quilts and cookie flour and then CROW IN YOUR FACE AND IT WON’T STOP SQUAWKING. Mostly it was jarring.

Ha…jarring. Poor Homily. Haru is a sadist. At least she poked holes in the plastic wrap? I had visions of poor Homily suffocating as soon as she shoved her in that mason jar. Tsk tsk!

Actually let’s take that back. My least favorite scene was the opening scene (even though it was awesome) when I had to listen to that ridiculous song about coming into a garden and the trees and she used to spend her childhood. WHAT. IS. THAT? WHAT IS THAT SONG? IT’S HORRIFIC. It inspired my boyfriend to rewrite the song with dirty lyrics, and he sang it all weekend. That song has to go. It’s even in the Japanese version with the English lyrics. GET IT OUT. IT’S AWFUL. Arrietty’s song at the end was fine, though. Just the coming into the garden song…ugh.

And the cat! We love the cat! I love that cats are looked upon fondly in Japanese culture. Too many Americans are all “I’m a dog person!” and…proud of that. For some reason.

Cats forever.

Except when they eat little people. They shouldn’t do that. Don’t let your cat eat any borrowers living in your house. It’s not nice.

Elena –

I have three words to anyone who loves art and is wondering if they should see this film (and for once none of them are f-bombs):  moving Impressionist garden.

That’s what this movie looked like to me in its animated art direction.  There were lots of colors, lots of shades of green, lots of details of leaf shapes, and yet…this was not photo-realism.  It wasn’t even pretending to try to be. It was just…blurry and lovely and rustling and alive.  It’s worth seeing if you love visual art just for that.

But…the movie on the whole is also pretty much fucking awesome (hey, there’s the drop you knew was coming!).  The heroine, Arrietty, is just awesome. She’s the kind of female hero character we need more of—unafraid of the world, curious, determined, and self-sufficient, yet also vulnerable and open and able of accepting help and seeing the good in others.  She’s like all the good parts of urban fantasy heroines blended with actually being a whole, healthy person instead of an embittered introvert.  I loved especially how willing she was to question the established rules of her life.  I know that’s what kids are supposed to do, but…I don’t think I questioned survival issues when I was 14.

Then there is the High Romantic angle of this being like…the most impossible of all impossible love stories.  She’s the size of one of his fingers.  Even if they were true soul mates they could never have more than companionship.  But they can’t even have that!  Because her parents live by the rule of “human sees us, we have to leave”—and evil housekeeper Haru proves them right to have that rule.  Oh, she’s awful!  (There may also have been a strong resemblance to someone I used to know in real life who caused me significant grief, so my reaction to her was perhaps…extreme.)  It was hilarious to see her foiled again and again and put herself in an even worse position than she’d been in before, when her employers just thought she lost things left and right.

Anyway, the burgeoning friendship between Shaun and Arrietty is sweet and bittersweet at once, since the closer they become the more certain it is that she will have to leave.  Not gonna lie, I teared up at the end.  It was so beautiful.  And how sad was it that the grandfather and Shaun’s mother had built that lovely dollhouse just for them, and they could never live in it?  I totally expected Shaun to relocate them into it and take them home with him, or give them to another house but within the dollhouse.

There were definitely echoes of it being a vaguely romantic interest, at least on Shaun’s part, because both he and Spiller give each other the stink eye, who is THAT asshole?, style.  Spiller was hilarious.  He was great comic relief, but subtle, and also a point of extreme depth for the film’s world-building because he showed that not only are there other Borrowers but that there are also very different ways of Borrowing.  Not all of them live in houses and scaled-down versions of human civilized life.

The movie felt longer than it was—not in a bad way, but it seemed more than 90 minutes.  Maybe because it unfolds at a pretty slow pace, and for all that you can guess several directions it might take you’re never sure which it will take, so you can’t guess how far you are in the plot by typical 3-act structure analysis.

One of the things I liked most is the feature this film shared with other Ghibli movies I’ve seen, and that is that it’s a callback to the fairy tales of childhood.  Not necessarily specific stories, but the infusion of a sense of wonder into quotidian, mundane life.  In an age where Disney has decided they are done with fairy tales (lame), I love that Studio Ghibli proves they can not only be retold but also invented fresh.  While this had great reminders of “Thumbelina” or “Tom Thumb” in terms of the relationship between full-size human and little person, and the scale of our world to them, the story and the scenario were totally different.  Again, not having read The Borrowers series, I can’t speak as to how close it was to those books, but it was fabulous for an impartial observer.

Battle Royale VS The Hunger Games – A Comparison

I will go ahead and say this, yes; there are some major similarities between The Hunger Games and Battle Royale. But when you take a moment to look at individual components of each, you realize that while they are similar, the feel and details are very different.

So I’ve created a comparison of the two works to see where they stand.

Origins

Both films, Battle Royale and The Hunger Games, were initially based on novels. BR is a 1999 Japanese novel written by Koushun Takami. It has also been adapted into a film and a manga series. HG was written by Suzanne Collins as part of a trilogy that is being adapted into a four film series.

Setting

This category is a little bit of the same and a little bit different. HG takes place in a dystopian future in which North America has collapsed and everyone is ruled by the central governing body, The Capital.

BR takes place in an alternate timeline, in Japan. And it is in the pretty close future you know give or take 20 years.  In this world, the dystopian world is most likely linked to economic collapse (and is pretty plausible the way the world is heading now – minus the “BR Act”).

While both are indeed set in dystopian settings, they have enough differences to safely say they are different.

The Hook

The Hook, and the main proponent that the two are so similar is the fact that they involve a countries young children fighting each other to death in an arena type situation. It is true, they are VERY similar ideas, but they are ideas that are unique to the novels as a whole.

Both BR and HG the event, called “The Program” or the “BR Act” in BR and “ The Hunger Games” in HG, is punishment by the government to instill fear and oppression upon their citizens,

However, in BR, the program is used mainly to deter the young citizens from forming or joining gangs and enacting violence in the already desolate world they live in.

In HG, the games are primarily used to show the overwhelming power that the government holds over its citizens. The Capitol uses the games to show people that they are so powerful they can make their children fight to the death whether they like it or not.

But it is important to point out that in BR, the program is basically secret, no one knows when or where it is happening while the games in HG are broadcast like a terrible reality television show that you are forced to watch (another way the Capitol secures its power over its citizens). In BR it is even unclear if most of the country even knows what the BR Act is or that it is even happening.

Also the means of which to choose its victims is different between the two. In BR, a random classroom of teenagers are chosen against their will and knowledge and placed in an secluded area and are given three days to kill each other so that one can live.

In HG, the whole country watches as they send tributes off to the arena where the games can last a week or more (although if there isn’t enough action, they make sure people die).  There is also a volunteer choice people can make. Either for the honor to win and live or (as in the novel) to save a loved one from going in to the nightmare of the arena.

Another big difference in the setting is that while District 12 in Panem (HG) is poor, the whole country isn’t. In fact some are relatively well off and the Capitol is the definition of a hedonistic lifestyle. While in BR, the whole country is in shambles with an unemployment rate climbing and the country crumbling.

Dynamic Between Participants

I think it is interesting to point out that the dynamic between the participants in the games or the program is vastly different. This lends itself to being one of the biggest differences between the two stories because it changes the whole feel of the novels.

In BR, they choose a whole classroom to go in, which means everyone there knows each other pretty damn well as they have probably been in school together for years.

In HG, many are just meeting for the first time, and thus, have no emotional attachment to each other besides their district mate and even then because they could be years apart in age and in status of the community, they still might know each other and have no attachment.

In BR, it is much worse because now friends and lovers must kill each other rather than strangers killing strangers to live (which would be much easier for the contestants).  So when other tributes like Glimmer or Clove get killed, you don’t really mind so much because you don’t know these people, they are strangers.  But in BR, you are watching friends kill friends, which add a whole layer of sadistic sadness to the situation.

The Weapons

Of course this is similar in that the participants have random weapons, but how they get them is what makes them different.

In HG, the tributes are set in random spots around each other and at the starting mark they have to make a choice. Run for the Cornucopia where there are a plethora of weapons and items and possibly get killed (this is where most of the tributes die) or run and find water and a hiding place till everyone else is spread out and then try to get your bearings and a weapon.

In BR, it is much different. The contestants in BR are given a survival pack before entering the area. The packs contain different supplies and a random weapon with which they will kill each other. The “weapon” could range anywhere from a gun, to a bow, to a random ass item like a frying pan. It is a surprise grab bag basically for all the contestants.

One very similar idea, however, is that both works do contain a failsafe incase people are not dying fast enough. In HG, the game makers will rain all kinds of shit down to make sure people at home aren’t bored with the entertainment. This could include an earthquake or fireballs raining down.  The game masters in BR also use this same tactic to try and encourage these friends to kill each other.

I’d choose the girl who was on fire over the pot lid any day.

LOVE

Yes, it is true that the love aspect of HG is one of the higher selling points of the novel, that has spawned squeals of girlish glee and teens clamor over whether to buy a “Team Peeta” or a “Team Gale”. But there is also a love story written into the pages of BR except that this one is downplayed as a way to make room for much MUCH more violence.

In HG, Peeta Pocket and Male Gale internally fight over who deserves and loves Katniss the most. While she proceeds to play with them both in attempt to A) LIVE and B) figure out her own confused feelings of life and love. (And yes I am all for Peeta Pocket and Katniss together so they can make delicious bread together).

I just want them to make out right now!

In BR, we have Shuya and Noriko who you definitely want to live and love but when you realize that, hey, all these characters have dated one another, loved one another, have emotional attachments to one another, its hard to focus on the love story of these two characters. Not to mention the rape-y aspect of one of the characters is a little unsettling.

The Villain

In HG you have President Snow, in BR, you have the teacher. One is slightly to incredibly more powerful then the other, but surprisingly, the teacher is scarier. Yes, Snow smells of blood, but the teacher in BR you have a lonely angry man who has a wayyyy to weird obsession with children killing each other.

Both rulers also have an uncomfortable obsession with the lead female though, which is creepy in the “don’t leave the house” kind of way.

 The Characters

This NEEDS to be said. All the students in BR are freaking insane.  With the exception of Shuya and Noriko, everyone else in the story are literally just crazy. BR takes the characters to an extreme in which they will stop at nothing to kill each other and anyone who acts reasonably and logically like the leads, stand out as weird when surrounded by such insanity. (One of the characters doesn’t even feel real human emotion due to a brain injury!)

In HG, all the secondary tributes and characters are a little bit in the least relatable. The careers make sense, they want honor and they want victory in something they’ve been training for their whole lives, and everyone else was thrown in there under the same circumstances and they all want to live but they all have moral codes that at one point or another hold them back. Thresh doesn’t kill Katniss as a payback for her taking care of Rue, and often the tributes from each district form a partnership for as long as possible, protecting each other.

In BR, the only people who don’t go on a full on Patrick Bateman in the novel are considered weird and weak.

The Technology

Technology plays a huge part in both films/novels. It is used to police and monitor much of the world around them as well as control the arena in which contestants are dropped.

In HG, since they are in the future, they have crazy awesome technology like giant hovercrafts, the ability to manipulate anything in the arena as well genetically alter new species and creations. They even have the ability to create force fields, and biotech weapons as well a whole underground city complete with food and water.

Although BR isn’t that technological advanced, it still uses extreme technology to keep people in line. They use an exploding collar on the neck of every participant to make sure they either fight to the death, or die by way of the collar.

Each story uses the technology is a different way, but its results are the same, fight to death or die anyway if you refuse.

The Violence

 Pretty obvious right? I mean it is about kids murdering each other for basically entertainment. But while HG is very violent (this includes arrows to the neck, stones to the skull, and poison) BR still wins. It is gory and bloody to the very end with very little in between.

It has been pointed out that BR uses such brutal violence as a way to remind those watching that hey this is what the story is about. But in HG, we are seeing things from the eyes of Katniss, who internally struggles with killing, rationalizes it, and actually kills very little when compared to her fellow tributes who kill without second guessing themselves.

With that said, they are both pretty brutal.

The Overall Tone

In Panem, the tributes spends weeks in front of cameras, at events, touring, doing interviews and such BEFORE going into the arena where the whole country watches them die. The world gets to know each tribute only to watch them die horrifically weeks later.

In BR, the program happens secretly and is called “military research” so the biggest mind f*** is only between the participants.

Panem spends weeks building emotional investments to the tributes in front of the cameras so that can see them die. The Capitol must certainly uses this technique as another way to assert their dominance (albeit subconsciously).

In the program of BR, the only emotional investments have already been made over years and YEARS (instead of weeks) of friendships and time. So when the characters have to die, its even more heartwenching for the reader/viewer al though not for those involved because they are already insane.

This lends to the very different tones of the stories. In HG you get to know the characters as well, bond with them and move with them because we are seeing the story and the history through the eyes of someone living it.

BR is about blood, violence, hatred, and little touch of love set in a world that gives little explanation and very little connections between the characters. It is a good film, but doesn’t have the bonding quality that HG does.

So yeah, these stories have a few elements that are similar, but hey most of the world is similar if you look hard enough. And hey, who says two people can’t have similar ideas? Besides I am just as much a fan of the gore in BR as I am in the overall story of HG. I like them both but for different reasons because each film/novel gives me something different when watching it or reading it.

Top 3 Scenes From The Hunger Games I Am Most Excited To See

With the massively anticipated film, The Hunger Games, little less then a month away from hitting theaters, my personal anticipation for the film is growing. Yes, I preordered midnight showing tickets, and yes I read all three books in less than three days, and most certainly, yes, I am team Peeta (and no I can’t believe I just said that…) Either way, the point is, we are all excited for this film.

After reading the novel and considering the film, I have decided these are the three scenes from the book that I am most excited to see in the big screen adaptation. Unfortunately, we know that when it comes to movie adaptation of books, often things are left out for time purposes (although director Gary Ross maintains this is a very faithful adaptation) so hopefully these three scenes will remain intact for our viewing pleasure.

:::::Caution: there are a few tiny spoilers if you haven’t read the novel:::::

The Interview With Caesar Flickerman

I had to put this one, because I am girl who can’t resist a good proclamation of love. And I would be lying if I said my heart didn’t melt when Peeta professed his love for Katniss. I mean what girl didn’t enjoy that (even albeit slightly). It was a sweet moment, even if at the time you weren’t sure if it was a true revelation or manipulation. Thankfully, we all know it was a revelation of true love. When I read it, I read into its sincerity and thats something that Peeta isn’t able to fake during the games or even afterward. I hope Josh Hutcherson (who plays Peeta) will be able to pull off the sincere admission of love in the movie.

Either way, it was a great scene in the novel and I am looking forward to squealing in girlish delight when the scene plays in the theater.

Tripping of Tracker Jacker Venom

This was definitely one of the more intense moments of the novel. Katniss drops the nest of tracker jackers on the careers camp, killing two of them. However, in the process she gets stung several times and begins to hallucinate. I am very curious on how they are going to film this because basically, she was tripping. Her hallucinations are vivid and bright and incredibly weird.

I am excited to see this scene, because I think watching it will be pretty powerful compared to just reading about her tripping on the acid. I am also curious how the visualization of the weird things she sees will translate on screen.

The Feast

Easily my favorite scene in the novel. (The end with the berries is pretty awesome too, but c’mon you knew they would both live or there wouldn’t be two more books!) While reading, you know there is so much at stake when Katniss drugs Peeta to go to the feast and retrieve precious medicine and materials they need.  It was pretty intense and I couldn’t force myself to stop reading this. I can guess its going to be even more intense of the big screen. The feast scene adds more intensity when Katniss is about to be killed and Thresh saves her life.

While this is easily one of the most brutal scenes in the novel (I mean Thresh does cave in Clove’s skull) I know they will probably lighten it a little bit, however, even if it is a little less bloody, I really hope they retain the immense anxiety and fast paced imagery that the novel employs. Seriously, it was brutal.

I have mentioned before how much I loved this book series, and I still do. And frankly, I haven’t been this excited for a movie since Arrested Development announced chances of a movie. I will be moderately happy with the adaptation if at least these three scenes remain relatively intact. (But hopefully this really is a faithful adaptation and I will love it) I think all three are crucial turning points in the novel and should remain as they are.

Bleach Manga To Become Live Action Film? Please No!

Haven’t we had enough terrible live action versions of animated movies in our time? I mean c’mon Avatar the Last Airbender as a live action film, who thought that would be a good idea? And even worse, please, world, stop turning amazing animes into live action films! Just stop!

Apparantly, my appeals go unheard as Warner Bros. recently announced plans to adapt Tite Kubo’s manga series Bleach into a live-action feature. It is already an anime and a manga which usually go hand in hand so I am ok with that, but a live action movie? I have definite reservations.

If you haven’t read the manga or seen the anime here is the plot:

Bleach follows the adventures of Ichigo Kurosaki who is a teenager gifted with the ability to see spirits. His life is drastically changed by the sudden appearance of a Soul Reaper—one who governs the flow of souls between the human world and the afterlife—named Rukia Kuchiki, who arrives in search of aHollow, a dangerous lost soul. Ichigo obtains the powers of the Soul Reaper (死神 Shinigami, literally, “Death God”). With her powers diminished, Rukia is left stranded in the human world until she can recover her strength. In the meantime, Ichigo must take over Rukia’s role as a Soul Reaper, battling Hollows and guiding souls to the afterlife realm known as the Soul Society. – it is bascially pretty awesome.

With it already being super popular in terms of anime fans, I can see why they would want to make it a movie that everyone would enjoy but it would lose so much  of the reason it is awesome.

Firstly, if they want it to be a huge commercial success they would have to move it from Japan to America. They made the decision to do this to the live action adaptation of Akira and look what happened to that? It got put on hold! (and it upset many fans who felt that a story set in Japan should stay in Japan and I agree).  I can imagine this would similarly piss off many of the fans of the original because a change in setting changes much of the feel of the show and manga. Also, if you a hardcore fan of the series you probably watch it in its original Japanese language subtitled in English. Which certainly will not be the case if it is a feature length live action film. (This would also mean that most likely it would feature american actors rather than Japanese which would just be… weird!)

You can not turn these characters into live people!

Secondly, can you imagine a main character with bright orange hair? You probably think, yeah just get an actor with naturally red hair, a ginger! But no, if they do the same as they did on Dragon ball Z you know that they will probably try to style the hair just like the anime which will look ridiculous on a live human person.

Yeah, Kind of like this. It is just ridiculous.

So, I really think if they try to live action it, the characters that I love will end up being just ridiculous looking. Anime features are exaggerated for a reason and can’t be on a real person! (Although I am looking forward to seeing what they do with Kon….live action killer stuffed animal? hmmmm….)

Also, if this is to be commercially successful much of the humor will have to be changed or it definitely won’t be appropriate. I mean if they kept in every reference to Orihime’s boobs then you can bet that many people will not be amused. It would also mean that much of violence would have to be cut down because some of those hollows are pretty intense.

Basically what I am saying is this: PLEASE DONT MAKE THIS LIVE ACTION! I think a CG version could be cool but in reality it will probably look like the Hulk movie from 2003. The only saving grace is that it has a decent director attached. Peter Segal, who most recently directed Get Smart, will produce and potentially direct while Dan Mazeau (Wrath of the Titans) is attached to draft the screenplay.

But if they put the live action film, Akira on hold, I wander if this will even go any further? But as a fan of the manga series, Bleach, I can only hope they do this film adaptation correctly, and not have another Dragon Ball Z situation unleashed on world giving anime fans a bad name.

Justice League: Doom, Where Are Your Heroes Now?

As fans of the superhero genre have learned, Marvel might crank out a good live action movie, but it’s Detective Comics that makes a great animation. With the upcoming release of the 13th animation in the Justice League series, we wait in eager anticipation for Justice League: Doom. Until then, let’s do what comic book nerds do best and nitpick.

Justice League: Doom at first doesn’t sound like a proper title. It sounds like a file name that writer Dwayne McDuffie came up with when he started with this piece and never got around to correcting before he passed away last year. For a while I even assumed it was the code name that Batman kept all his Justice Leaguer information under. I do know that for the longest time I couldn’t even see the colon in the title and thought it was just a merger of Justice League of America and Legion of Doom.

Justice League: Doom is based on the comic book series JLA: Tower of Babel, an epic storyline heralded as one of Mark Waid’s best works. Dwayne McDuffie was hired to adapt the storyline for animation, which required many changes and may have lost some of the impact felt in the original.

The first change I saw was the cast. The roster for the Justice League constantly changes but there are some comic book archetypes that need to be seen. So there’s the big three: Batman, Superman, and Wonder Woman. Their story hardly ever changes. Then there’s a Green Lantern and The Flash. These two can be interchanged with other incarnations that wear their mantle.

Green Lantern can be switched out with any member of the Green Lantern Corp, but the Justice League tends to use the human ones. This leaves John Stewart, Guy Gardener, Kyle Rayner and Hal Jordan; Alan Scott doesn’t count. The Flash is also narrowed down to Barry Allen, Wally West or Bart Allen.

In the original comic, it was Kyle Rayner who wore the ultimate weapon in the universe, while he was still the inexperienced Last-of-the-Green-Lanterns. The speed force was wielded by Wally West, the former Kid Flash who was forever trying to outrun the shadow of his mentor.

For Justice League: Doom, the storyline follows the rest of the Justice League series and uses Hal Jordan and Barry Allen to play the Faster Friends; yeah, they used to have a comic title together with that tag line.

This leaves Martian Manhunter who this time has gone through a slight reboot. The Manhunter now wears more complete clothing that doesn’t match the chest baring Barsoom novel series. This doesn’t change the fact that his real physical appearance and inspiration is a direct lift from that book series. If you see the live action movie called John Carter, then you’ll have a very good idea of what I’m referring to.

So what about the seventh member? The Justice League is usually comprised of several key members. In tower of babel however we saw Aquaman, the worlds most useless superhero, and Plasticman, the shape changing unitard wearing sight gag; didn’t he get the memo to wear the underwear on the outside? Both were replaced with Cyborg, the affirmative action, token superhero.

The Justice League cartoon series had John Stewart who was lord of the green lantern ring, which worked out fine as there was perfect continuity for it. This matched later on with the JLA comics switching out Rayner for Stewart as well. Again, proper as Rayner had to go out and play intergalactic cop in the Green Lantern title. So why Cyborg? Let’s forget that he’s a visible minority with disabilities and the best HMO in the world. I also want to forget that he was originally a thirty something adult that spent a lot of time with adolescent Teen Titans. This brings us to The New 52.

The New 52 is a revamp and relaunch by DC Comics of its entire line of ongoing superhero books. All of its existing titles were canceled, and in it’s place 52 new series debuted starting at issue #1. Nothing more than a large publishing event that came after the Flashpoint crossover storyline. Apparently the Flash’s time traveling screwed up continuity so badly it affected the real world. So while titles restarted at issue #1, rebooting all the characters to allow them to be reintroduced in a contemporary manner; for a new generation of readership; the only title that somewhat survived was Green Lantern. They poured a lot of time into the storyline over the last five years, having been the focal point for two big crossovers; Blackest Night, and War of Light. They’d be stupid to abandon that goldmine now, reboot be damned.

While the New 52 is not being received well by older fans, it’s understandable why DC would want to cut ties with a complex continuity that has been in place since the 1930s. Without the reboot, the next logical step would have been to add footnotes to each comic rather than flashbacks and editor notes.

The entire Justice League series of animation that have gone direct-to-DVD seems to support the New 52 as well, as it also neatly ignores a lot of back story. Almost like a game of red rover, Cyborg from the New 52 Justice League was called over.

The best way to describe the current state of things in the DC comic universe right now is to compare it to a lie. Almost as if older nerds were hazing a lesser nerd, trying to convince them that all they held dear would be destroyed. A lot of fast talking would have to be done, based on an inch of truth called back story. So just like such a hypothetical joke, a lot of work had to be done to fill in the gaps of this lie called the New 52.

Hence, why Cyborg is a member of the Justice League now. Aside from the more sinister reasons of his membership, Cyborg is also the bridge between children raised on the Teen Titan cartoons, which is why I wasn’t surprised at the anime influence for The Justice League: Doom.

So there you have it, the current roster for the Justice League. Everyone is annoyed and feels betrayed because Batman essentially could back stab them at any point when he wanted. You can read more on what happened in Final Countdown to Justice League Doom, here. This wasn’t a back stab, it’s what I will now refer to as a Bat stab. Unlike villains, middle-management and high school bullies, Batman never needs to lord this over anyone. As far as anyone else was concerned, they didn’t need to know how screwed they were until he dropped the bat hammer on them. In addition, back stabbing sounds like a last ditch ploy to win, while every plan that Batman has come up with were winning moves, not moves of desperation.

So was this all a good movie by DC? Yes, I wanted to see more of their animation. No, because I felt cheated out of a better storyline. Will I ever watch DC Animations again? It can’t be helped, I’m an addicted comic book nerd. Think of it as solidarity. I’ll be with them no matter what.

So where are the villains and what exactly did Batman do?  Stay tuned next time.  Same Bat Time.  Same Bat Channel.

9 Doctor Who Episodes You Might Not Know Were Inspired By Novels

“Doctor Who” is and always will be my FAVORITE show of all time. And after spending an entire snowy weekend rewatching all the seasons, I realized something. Many of the episodes (or serials in the earlier seasons) were actually based on or inspired by novels. Some of them were incredibly obvious like the “The Shakespeare Code” which appears in season 3 of the revived series. Also “The Myth Makers” serial from season 3 in 1963. That whole serial is based on the Illiad. Not to mention “The Unicorn and the Wasp” in 2008 is based on novels by Agatha Christie

However, those are just to obvious. (and there were over 20 in my original list till I cut it down to 9). So here are 10 episodes of “Doctor Who” that you might not have known were inspired by novels. Allons-y!

The Android Invasion

This is the fourth serial of the 13th season and was first broadcast in four weekly parts from 22 November to 13 December 1975. It featured perennial favorite Doctor, Tom Baker and Sarah Jane Smith as the companion.

To most this seems a simple Auton or android storyline that appears in much of science fiction. And they would be right, partly atleast.  This serial was originally influenced by the film and novel Invasion of the Body Snatchers. It would be the last Terry Nation script for Doctor Who for four years.

Some people will notice the similarities which is why it is number 10 on the list (and not number 1).

Image of the Fendahl

This is the third serial of the 15th season and was first broadcast in four weekly parts from 29 October to 19 November 1977. It featured once again, Tom Baker as the fourth Doctor, and Leela as the companion.

This is one of my favorite references and inspirations for an episode ever. Not only is it my favorite show, but this episode is inspired by my favorite little known Kurt Vonnegut Jr. novel, The Sirens of Titan.

The major plot device of this episode, that alien life has influenced and pushed along the evolution of mankind and brought contemporary humanity to where it is today, is highly influenced by the plot of the 1959 Vonnegut novel.

Underworld

This is the fifth serial of the 15th season and was first broadcast in four weekly parts from 7 January – 28 January 1978. It featured once again, Tom Baker as the fourth Doctor, and Leela as the companion (along with K-9!)

I think this is one of the most blantant episodes inspired by written work. The reason it is on the list is because I love the way it references the work that inspired it. Jason and the Argonauts (And I am not entirely faithful that the population has read that particular myth anyway.)

The references are MANY in this episode. We have the “Minyan” race which are related to the Minoans, the search for “P7E” references Persephone, and character names such as Jackson “Jason”, Orfe “Orpheus”, Herrick “Heracles”, Tala “Talaus”, Idmon and Idas. The connection is highlighted at the end of the episode, with the Doctor likening Jackson and his journey to Jason and his quest for the Golden Fleece.

This one is obvious, but I love the parallels it draws while retelling the story in a new setting.

Revelation of the Daleks

This is the sixth serial of the 22nd season and was first broadcast in two weekly parts on 23 March and 30 March 1985. It features the sixth Doctor portrayed by Colin Baker and the companion Peri Brown.

This particular episode was loosely based on the book The Loved One written by British novelist Evelyn Waugh. It is also in part, influenced by the film and novel Soylent Green (novel  Make Room! Make Room!). It features the eating of people as a food source which is promptly stopped by the Doctor in favor of something similar to the soybean.

Paradise Towers

This is the second serial from the 24th season and was first broadcast in four weekly parts from 5 October to 26 October 1987. It features Sylvester McCoy as the seventh doctor and has Mel as a companion.

“Paradise Towers” is storyline that follows a luxurious 22nd century high rise apartment building now fallen into disrepair and chaos. It has gangs that are always fighting and yes there are robots. This seems like a pretty standard set up for an episode but it is actually based in part on the J. G. Ballard novel High Rise, which depicts a luxury apartment building which descends into savagery.

And yes, this episode aided in one of my fears of swimming as a young child.

The God Complex

The first on this list from the revived seasons of “Doctor Who.” It is the eleventh episode of the 6th season (renumbered beginning when it was revived in 2005) and first broadcast on BBC One, BBC America and Space on 17 September 2011. It featured Matt Smith as the eleventh doctor and Amy Pond and Rory Williams as the companions.

This isn’t the first of the revived series to base on literature but it was the first that was obvious but needed to be said. And no not because of the minotaur. I mean yes that is based on mythology but that is not the point that needs to be made. This episode was highly influenced by Stanley Kubrick’s film The Shining which as most know is based on the novel of the same name. The overall look of the hotel it takes place in as well as the use of long corridor shots are very reminiscent of The Shining. 

However there is another influence that many might not catch. George Orwell’s Nineteen Eighty-Four inspired much of this episode as well. From the concept of rooms containing each person’s deepest fear, which is a major plot point toward the end of the novel. But also in the quoting of the english nursey rhyme “Oranges and Lemons” is also in the novel.

Remember: “Here comes a candle to light you to bed, here comes a chopper to chop off your head!.”

Planet of the Dead

This is actually a special that aired in between seasons while David Tennant was off being Hamlet for a year. It was the first of the four specials aired between the fourth and fifth season. It aired in April 2009 and featured David Tennant as the doctor and a one time companion of Lady Christina de Souza.

This one isn’t an adaptation as such but a direct influence. The writers used the novel  The Highest Science as a jumping off point for this episode. The novel featured a train stuck on a desert planet but the writers substituted the train for a bus and went from there.

The Eleventh Hour

This is the first episode of the fifth season and also the first episode to feature eleventh doctor Matt Smith. It also featured companion Amy Pond for the first time. (Also pretty awesomely it feature amateur astronomer and The Sky at Night presenter Patrick Moore in a guest appearance as himself!)

While the main influence of this episode came from a crack in the writers’ sons bedroom wall, he also drew inspiration from A.A. Milne’s The House at Pooh Corner. This is noticeable in the scenes where the new doctor claims to like everything but then proceeds to reject everything offered to him. Finally Amy (or Amelia) figures it out and he is able to eat something to fuel his regeneration. Definitely one of the silliest influences but nonetheless it is one derived from a children’s book.

The Girl in the Fireplace and MANY many others.

This one is kind of a doozy so I put it in the end. There are two characters who are influenced by one novel. It is not necessarily that their story lines in each episode were inspired by novels but more of the core of their person and their relationship with the Doctor.

The novel? One of my favorite, The Time Travelers Wife written by Audrey Niffenegger.

When knowing someone who can time travel, you have to assume you may or may not have met them prior when they were, well, time traveling. What makes these two characters so similar to the novel is that they are both women, who meet the doctor as children when he is an adult, and both have romantic escapades with him.

The first character only appears in one episode, “The Girl in the Fireplace” which is the fourth episode of the second season featuring David Tennant as the Doctor and the companion Rose and Mickey. The woman is Madame de Pompadour (the mistress of King Louis XV). The Doctor greatly admires her and through the course of the episode falls for her (and she falls for him apparently since she was a child….?)  He falls into her world at different time periods through her life, promising to return for her (and making out with her) while the episode is structurally different from the novel it features a similar understated connection.

The second character is a biggie. Not just for this article but for the Doctor, for the fans, and for the over all mystery of the question “Doctor Who?”. River Song. She rests as one of the most enigmatic characters in the series at the beginning because of her familiarity with the Doctor, the fact she knows his name, his REAL name, and also that she seems to know many different versions of him. The character creation and conception of River was directly influenced from the name novel. (Steven Moffat must have loved that novel as much as I did). Much like River and The Doctor, Niffenegger’s lovers in the novel experience an asynchronous and tragic love story. Also River, when he first meets her, she has known him her entire life (much like Clare and Henry in the novel) and she informs him that she is his WIFE. She is literally a Time Travelers Wife. This ends up occurring at the end of the season 6 when the two actually wed.

So bam. 9 Doctor Who Episodes you probably didn’t realize were based on literature, and if you did, then bravo because that means you probably like the show just as much as I do.

The Woman In Black: DanRad in Victorian Wear- A Review

Why are you interested in this adaptation?

Elena-

This movie is kind of a duh for me.

It is Harry Potter.  I want to see if he can actually, you know, do something besides wield a wand with great conviction and look by turns sullen and put-upon.

It is a ghost story that looks like it might actually be scary, not just jumpy or gory but actually creep you out scary.  Far too many of the horror movies out these days are either not creepy-scary or are so blood-soaked the terror is split between fear and disgust, which generally lessens the degree to which you feel either emotion.

Also it is a Victorian ghost story so…COSTUMES!
Rachel-

Harry Potter influence disclosure!!! Plus I really like ghost movies (The Others, anyone?). The film is based on a book of the same name by Susan Hill. It has already been adapted into a very successful and long-running play on London’s West End and I’ve heard from friends who have seen the play that it would probably make a better movie, but the play is still pretty good.

That’s… as good a recommendation as any, no?

Ok, so it’s Daniel Radcliffe in period costume. SHUT UP.

 


What would make it awesome?

Rachel-

This question makes no sense. Daniel Radcliffe in period costume. What the hell else do you want?

I’m going to assume that this is going to be a little old fashioned, British scary movie. Meaning that it isn’t gory as much as it is classically scary.

Elena-

If it’s scary and smart, with good acting, some artsy directing, and a nice ambiguous ending like the best ghost stories all have.  Oh, and if Dan wears a waistcoat with distinction!

Rachel-

I just want to say that whenever I hear the term “waistcoat” my brain always says, “Why don’t people just say VESTS?” I mean really… what do old timey people have against vests?

Elena-

But—but—but—it was an underCOAT! Worn to cover a man’s WAIST.  It makes PERFECT SENSE.  What is a vest?  It’s a shortening of vestment, I think?  So…a really short priest’s robe?  That’s even worse.

What would make it suck?

Rachel-

If the story is easily figured out, if DanRad is awful, if no one is wearing period costumes.

Elena-

If Daniel Radcliffe proves he has no acting abilities whatsoever.

If it goes stupid the way so many haunted house stories go stupid…I guess by that I mean if it’s totally predictable and full of people running up the stairs when they should be running out of the fucking house, etc.

If the theater is full of stupid tween DR fans who scream every time he shows up on screen.  This happened to one of my friends opening night.  It convinced me to wait to see the film a bit later on its theatrical run.

Thoughts on casting/production?

Rachel-

I have no idea who else is in this film. I think from the trailer that I’m supposed to accept that DanRad is a family man. That…is kind of dumb. He’s what? 18? (I know he’s older than that but give me a break, he’s not a FATHERLY person.)

Now I’m thinking about the HP epilogue, and it’s making me upset!

Elena-

Right?  That epilogue was just…sad.  Also I know Victorian gents of good morals probably married early (I mean how long is he gonna wait to dip the wick, amiright?), but I don’t think “early” meant…16.

Anyway, I’m excited to see what Harry can do out of Hogwarts.  I know this isn’t his first role in a non-HP film or anything, but it’s the first movie I’ve been interested in as a film to go see him in.  The other(s) he’s done just didn’t have an independent appeal, and while I like DR and wish him well and am curious about his career prospects, I just don’t feel any of those things strongly enough to go to a movie solely because he is in it.

Otherwise, I…really don’t know much about this movie.  I know it’s based on a book that was written in 1983, so not an ACTUAL Victorian ghost story (which might have been cooler, to be honest), just one set then.  I also don’t know much about the director or the studio even though everyone is talking about Hammer rising from the grave to make this film.  Um…okay.  This is where growing up under that rock becomes obvious, because…what’s Hammer studios?  Why do I care?  Right.  Where’s Harry Potter?

Reaction to film:

Rachel-

Delightfully old fashioned scary movie! It reminded me a lot of House on Haunted Hill (the old one) because it relied on suspense mixed with scary noises and the imagination of the audience to generate the majority of the scares.

It was definitely far stronger in the beginning than it was in the ending (the motivation of the Woman in Black wasn’t very satisfying for example) especially the 20-minute scene when DanRad spends the night for the first time in Eel Marsh House. I found myself jumping at every noise, peering into every shadow. It’s in the interaction with the inhabitants of the village and the ending that force me to give this one a B- rather than an A. The rich couple with the lost child confused me, I was convinced they were the sister and brother-in-law of the Woman in Black until I got home and looked it up on Wikipedia.  They weren’t, which kind of pissed me off because I just couldn’t figure out the whole “NEVER FORGIVE” twist of the film without it being a vengeance gig against at least ONE of the onscreen characters.

Stupid.

Poor DanRad, he worked so hard to “solve the mystery” and then just got smacked in the end. WRONG. Thanks for helping me out in the only way you could but I’m going to kill you anyways! “Never Forgive” except DanRad never did ANYTHING to you stupid dead cow! LEAVE DANRAD ALONE!!!!

Besides the ending, which is pretty much what happens in the book, I had a few other beefs with the film. Namely that DanRad’s character was kind of dumb. Really dumb. Like, take me to the lonely decaying mansion that is only accessible during low tide in this creepy village where all the children kill themselves, and I’ll just wander around said decaying mansion thinking I can see my dead wife and generally going INTO rooms where creepy noises come from, with a culmination of jumping into a gross marsh bog to retrieve a mummified corpse.

WHAT IS WRONG WITH YOU DANRAD? JUST ALOHAMORA YOU’RE FUCKING WAY OUT OF THERE! RUN! GET OUT!

Is it that you can’t use the Internet yet in Ye Olde England or Scotland or wherever the fuck you are?

I CAN FIX THAT.

Here’s a telegram I could have sent you near the beginning of the film:


Here is one I could have sent after I peeled my hands off of my face and summoned up the courage to look at more of the screen than the bottom right corner while my boyfriend made fun of me – only to see you carry about a tar-covered child-mummy for a while which totally freaked me out and you should not have done that, but then it only got worse:

Here is the telegram I would have sent after the fiftieth time DanRad assured everyone that despite the hangings, and the possessed ladies, and the poisonings and the fires and the jumping to their deaths out of windows incidents involving the children of this town – that you are still having your toddler son come to visit you:

And finally, here is the telegram I would have sent to you at the end of the film, when that stupid whore of a ghost lady decided that despite all your hard work and effort and jumping into bogs that she in fact, did NOT appreciate you or feel at ease or placated or whatever it is that makes ghosts not stupid whores…and you wouldn’t have received it, but maybe that nice nanny who didn’t ask to be dragged to the evil possessed town and I hope she gets back to London OK, could read it for you:

 

Elena-

This turned out to be one of those movies that you like well enough when you first come out, but there’s a bit of confusion so you start talking about it with your friends, and the more you talk about it the more you realize the story is full of holes and doesn’t quite take you to where it was probably trying to.  And then come the inevitable comparisons to how the book set up the scenario, so why did they change this or that because it didn’t just make things more dramatic, it changed the whole implications of that part of the story, etc.

I mean, on the whole the movie wasn’t bad.  I enjoyed the very gothic feel of its visuals a lot.  The house was fucking perfect.  Daniel looked good in the waistcoat, and suitably gaunt and haunted in the way only a melancholic Victorian gentleman could.  I will go see him in more movies.  He still might not be enough of a lure on his own, but he will still be one point in a film’s favor if I am undecided.

There were parts of the movie that creeped me the fuck out.  I just…wish it had all been a little bit tighter in the motivations.  What I mean by this more than anything, I think, is that I had to suspend disbelief in a few too many places for the whole thing to seem credible.

I mean, I really wanted to send this telegram to the villagers:

This is the telegram I wanted to send to DanRad Kipps when he saw his dead wife for the twentieth time:

And why would the woman in black still go after Harry when he did his best to lay her ghost and give her back her child?  And how did she even know he had a kid to begin with to come after him away from the house?  It made more sense in the book, when he didn’t try to do anything for her, that she might come after him again later.  Here it was like…well, damn, you’re just the cuntiest ghost in Christendom, ain’t ya?

 All of this detracted from the chills and fuck-me jumps experienced during the actual viewing experience.

Rachel-

Here is where I think I’ll blame the stage production rather than the book. Because, honestly, if the kid had been mown down by a carriage and DanRad had lived to be a cranky old ghost-hunter in a VEST…well actually that would have been a good movie.

Nevermind.

6 Sci-Fi “Futurama” References You Might Not Know Were Based on Books

The FOX then Comedy Central sci-fi animated series, “Futurama” is a plethora of geeky references and myriad nerdy jokes. The show takes place in the year 3000 after our “hero,” Fry, gets cryogenically frozen and thawed out in the futuristic world.

FOX canceled the show after a few season (probably because FOX cancelling everything good in the world like “Arrested Development,” “Firefly” “Dollhouse” and many, MANY more.) After four post series movies, and tons of fan feedback, Comedy Central brought it back (with plenty of jokes aimed at poking FOX).

Basically, it is a pretty awesome show. And if you have ever seen it (or seen every episode probably 15 times like myself) then you know that the show basically lives off sci-fi references. But you might not know that many of those references are actually based on novels as well.

It’s a good thing we were able to put a list together for you! So here you go, 6 sci-fi references from “Futurama” that you didn’t know where based on book. (I also included a few honorable mentions as well.)

 

I, Robot

This classic book of short stories by Isaac Asimov has been the fuel for many many science fiction stories. And many aspects of “Futurama” are in reference to the stories. Even the third episode on the series is called, “I, Roommate” which is a direct reference to Asimov. But here are two that many people miss.

In the episode “The Cyber House Rules” (season 3 episode 9) Leela gets her eye fixed and she gets a second eye grafted on to make her look normal. In the montage that follows she stops at a store called, “Eye Robot”.  It is pretty easy to miss but puns are one of my favorite things. They also use this same pun humor is used in the season 3 episode, “Anthology of Interest II” in the minisode “I, Meatbag”.

 

Soylent Green

This is definitely one of the greatest sci-fi films from its time. And it is referenced and parodied all over the entertainment world. However, you might not know that the movie was actually loosely based upon the 1966 science fiction novel Make Room! Make Room!, by Harry Harrison. Soylent green is so well known that in “Futurama” it’s a part of the world they live in. In both “Fry and the Slurm Factory” and “Roswell That Ends Well” they drink a soda called Soylent Cola.  Which if you want to know what Soylent Cola tastes like, well, it varies from person to person. Lets not forget the main cooking ingredient in “The 30% Iron Chef” is Soylent Green

 

2001 – A Space Odyssey

This film often lands on top ten best movie lists. I mean it IS directed by Stanley Kubrick which basically means its gold. It is also one of the go to films for science fiction. It makes sense that in turn “Futurama” references this film more than any other. But this film is also originally based on the book written by Arthur C. Clarke. But seriously, there are a ton of references in “Futurama” to this movie, It is reasonable to believe the creators of this show liked the movie just as much as the rest of the world. First we have the episode  “Put Your Head On my Shoulder” when there is a Out of order Monolith as they are flying through space. This show also uses the music  “Also Sprach Zarasthura” several times such as in  “A Bicyclops Built for Two” and “Godfellas.” Then in the episode, “ Insane in the Main Frame” the name of the mental hospital Fry and Bender stay at is The HAL Institute for criminally insane robots. Then again in “Roswell That Ends Well” we see a vortex very similar to that in the film and described in the book. “Love and a Rocket” is an obvious one because of the intellegence function the Planet Express Ship takes on is basically HAL. We see another vortex similar scene in “The Sting” as well.

It kind of feels like you can’t go a season without a reference to 2001: A Space Oddyssey.

Planet of the Apes

We recently had a guest post featuring this film as its subject, and thats because there is almost no one in the world who hasn’t seen this film. (I also don’t think you can watch one “geeky” show without one character using the most popular quote…. yes I mean the damn dirty ape quote). But it is also a film based on the novel by Pierre Boulle. It is one of the most popular (and lucrative) sci-fi series in the world. So of course “Futurama” is no different when it comes to loving it. First we have the episode “Raging Bender” in which one of the scenes in the background you can see a poster that replicates the famous one from the movie. The poster reads, “Planet of the Clams”; it is just for a second but an obvious reference to the movie. Then in one of my favorite episodes, “Future Stock,” Calculon says a variation on the famous quote we all love, “Get your filthy tricycle off me, you damn dirty ape!” My favorite reference to the film and book is in “The Late Philip J. Fry.” We see the five different apocalypses Earth goes through all reminiscent of the famous scene with the Statue of Liberty.

The Time Machine

I think this one is pretty obvious. There are two movies based on the book written by H.G. Wells and both included the iconic time machine design. Which in turn is the same time machine that the professor uses in two separate episodes. In “A Clone of My Own” and also “The Late Philip J. Fry.” But who doesn’t love The Time Machine? Totally worth mentioning.

Starship Troopers

Ok, seriously, this is one my favorite movies ever, and when I read the novel it was based on, I loved it even more (although the movie took some HEAVY liberties). The book was written by Robert A. Heinlein, and “Futurama” took the model of the soldiers and used it in their army scenes in episodes “War is the H-Word” and “Three Hundred Big Boys.” (It is also interesting to note that the Alliance soldiers in Firefly are the same uniforms from Starship Troopers. But that doesn’t apply here soooo…..)

Honorable Mentions:

Here are a few honorable mentions for sci-fi references in “Futurama” that I wasn’t able to add to the main list.

Craterface

Future-Reference: A Trip To The Moon
   Episode: “The Series Has Landed,” and Into the Wild Green Yonder

In one of the more obscure science fiction references, Craterface pays tribute to the French 1902 silent film A Trip To The Moon, most famous for its image of the moon’s face being stuck in the eye with a rocket ship.

Or a beer bottle, in this case.

Alcazar’s Yithian Form

Future-Reference: H.P. Lovecraft’s “The Shadow Out Of Time”      Episode: “A Bicyclops Built For Two”

Another very obscure reference that unless you know already, a viewer is likely to miss, is that of Alcazar’s alternate forms is that of a Yithian, or “Great Race of Yith” from H.P. Lovecraft’s short story from the Cthulhu mythos.

Ice-9

Future-Reference: Kurt Vonnegut’s Cat’s Cradle       Episode: “War Is The H-Word”

Easily one of my favorite references. Vonnegut’s amazing novel Cat’s Cradle is referenced with the ability to buy ice-9 and a six pack of beer in the future. (at a 7-11 as a matter of fact)

Jurassic Kiddie Park

Future-Reference: Jurassic Park      Episode: “I Dated A Robot”

Remember that phrase from all Jurassic Park movies? “Life will find a way.” Apparently it did find a way and that occurs sometime before 3000. But be careful feeding them at the kiddie park because they might bite your hands off.

 

Sandworm

Future-Reference: Dune        Episode: Into the Wild Green Yonder

Who wouldn’t want to use giant sand-worms from Dune as an above ground transportation tram?

Just stand clear of the closing jaws.

A Shakespearean Night With One For The Money

Why are you interested in this adaptation?

Elena-

Pick the reason I am interested:

(1) Katherine Heigl is my favorite actress and I watch everything she does;

(2) The Stephanie Plum series is one of my favorites so OF COURSE I’m going to see the first movie even if it’s totally different from the book;

(3) I was overdue for going to a bad movie with the intention of drunk heckling it.

If you guessed (3)…you are one for the money!  And if you guessed either (1) or (2) then you haven’t read one of our columns before, have you?  Oh, honey, you are in for a treat!

Also I should add that I am going with a friend who has read the series and enjoys it for the fun, ridiculous Jersey fist-pump of chick-lit that it is, and while KH is not a favorite I actually don’t mind her the way a lot of people do.  So there’s that.

Rachel-

THE SCENE: It is nighttime in Brooklyn. The buses are making their endless journeys, the bums are settling in for a nap in my garbage and my hipster neighbors have finally stopped their band practice. There are a few drunken couples coming home from an evening out at the bar and their screaming match is fading into the distance of horns and the occasional police siren. If I try really hard, I can almost imagine the sound of chirping crickets (who am I kidding, I mean the droning of cicadas) on this unseasonably warm winter evening.

And I tell you, dear reader, I would rather run naked out into that endless, terrible night than watch a Katherine Heigl movie.

I blame Elena, she let me believe this was some sort of Urban Fantasy Mystery adaptation. And then I googled it.

What would make it suck?

Rachel-

I REALLY hope this isn’t some weird anti-feminist bullshit like all of KH’s other movies. That one she made with Gerard Butler (Side Note: Have you ever seen Dear Frankie? I actually weep to think Butler used to be that guy, and now he’s a steroid filled mush mouth actor… IT’S TRAGIC) and the entire movie was about him treating her like crap and her learning to find his sexist and disgusting behavior endearing? UGHHHHHHH!!!!

However, I expect a ridiculous train wreck of Jersey Shore stereotypes and cringe-worthy acting in One for the Money. I mean…the title is lame. It sounds like a Sweet Valley High volume. I would label it a trash novel, but I think that would be an insult to Harlequin.

Elena-

If it’s a totally unrealistic “badass yet beautiful and approachable” female role-playing/wish fulfillment fantasy.  Also if they treat her possession of and use of firearms either irresponsibly or as a joke.  Not because I hate or fear guns but rather because I hate and fear the lobby that would take them away and don’t want to provide them any ammunition—no matter how tongue in cheek it was meant—for that cause.

What would make it awesome?

Elena-

Um…my expectations are kind of starting in the gutters, so I think I will consider it an awesome time at the movies if I walk out with a smile.  That can be either because the movie is so patently terrible that my friend and I just MST3K it the whole time, or if it’s better than I expect—you know, actually funny and witty and sexy and adventurous.

Rachel-

Please god let there be some self-aware and hilarious co-star that has decided that in addition to collecting a paycheck they will keep the audience in on the joke that this movie suuuucks.

I mean, I didn’t think I’d like Bridesmaids either (purely on the fact that it had to do with a wedding, and that is always boring and stupid), but I ended up nearly peeing myself with laughter. Maybe Melissa McCarthy can be in this film too?

Additional thoughts on casting or production?

Elena-

Well, I’ve already mentioned that I don’t mind Heigl despite her being a love-to-hate-her actress.

I have been told grandma is the best part of the series, so I am expecting that character to be hilarious and will be disappointed if she is not.

This is set in Jersey, right?  Does that mean it’s going to be full of a bunch of Jersey Shore types?  If she tries to fall in love with a dude calling himself “The Shenanigan” I am fucking out, y’all.

Rachel-

TOO LATE. Whatever troll-type they’ve got cast as the romantic interest will now forever be dubbed “The Shenanigan.” He can be half Irish, half Italian—all whack.

I don’t know who this grandma is. I only know what Wikipedia tells me and it tells me that Isabelle is a bounty hunter and she sells bras. (Speaking of Isabelle, remember how she ended up marrying that stupid random character they brought on last-minute because Tom Hanks’ nephew quit Roswell but we all knew they were supposed to be together? And Isabelle was the most supremely uninteresting alien posing as a high school student in the history of the genre? (Because bitches aren’t interesting!!!!) And even when they did the whole Bewitched homage she STILL wasn’t interesting and we just wanted Isabelle to maybe die and take stupid Tess with her? DO YOU REMEMBER THAT GUYS?)

I’m going to go watch the movie now. Pause for Effect.

 

Reaction to Film?

Rachel-

……….

 

 

That was… that was…. .

Well that was a Katherine Heigl movie.

One for the Money was everything I feared it would be. A stereotype-laden piece of trash with writing that can only be described as…chewy. So, instead of abusing my brain by trying to digest the word vomit, I mentally replaced the entire film with Shakespeare. It was what kept me sane.

For example, when Stephanie Plum starts her new job as a “bounty hunter” and it just so happens that an early assignment is an old douchey flame, I blocked out the rage-inducing couple talk with hilarious insults from the Bard. (Hey, look, it’s The Shenanigan. He…looks exactly how I pictured he would. How terrifying.)

Or when the bounty hunter mentor guy decided that he was going to break the law and purchase our intrepid heroin her own weapon of destruction I decided maybe everyone in this movie was on drugs.

 Or.. mayhaps I was on drugs? Drugs that made everything in the universe not funny.

 Nay! This movie was just… horribly unfunny.

Like the whore jokes… whose idea was that?

 Yea… let’s laugh at horrible bigoted caricatures of people. HILARIOUS.

Or when Heigl’s character decided that people LOVE funny whores and her bounty-hunting tactics would revolve around double entendres and copious shots of her bra?

 I decided maybe I was being tortured for something terrible I had done? Heigl’s career certainly deserves the punishment she’ll get from this latest resume star of a film. She produced this one herself, isn’t that nice? People with money are idiots. Stop paying this woman to do a damn thing. JUST. STOP.

Alas, had this film ended when it should have…we would have been spared rank tripe. Here’s your grade Ms. Heigl. Enjoy as thou wilt.

 Elena-

So…that wasn’t actually as bad as I thought it would be.  I mean, it was not great cinema.  It was not profound storytelling or deep characterization.  There were a lot of stereotypes, and several really questionable gun scenes.  But I kind of enjoyed it.  Maybe I was just drunk enough on the cheap corporate-chain-restaurant margaritas I sucked down by the bucketful in advance to appreciate the level of cheapness on display.

Maybe that was why I spent the entire film having flashbacks to that college production of Taming of the Shrew?

Dear readers, I present to you Elena’s Notes for this movie—a handy visual and alternative-textual summation of the film that will tell you everything you need to know about what happened in it with only the cast of Katherine “The Curst” and “The Shenanigan” to tell the tale.

Firstly, the unhappy lovers reunite:

Round one to The Shenanigan.

Katherine the Curst meditates upon scorned women and hell-fury.

The Shenanigan vows he will beat her by hook or by crook.

There are handcuffs and a shower involved, which she doesn’t mind nearly as much as she ought to.

She points out she’ll get further working with him than against him.

He is dumb enough to not realize she said “I” and not “we” when she spoke of winning.

He did not at any point during the final scenes of the movie use the word “shenanigan.”  I feel fucking cheated.

The End.