Category Archives: Optioned Books

6th Annual Book Tournament Brackets – A Taste of The Hunger Games

March is known for at least one thing every years, NCAA March Madness and it is right around the corner. And with that is the continuation of the BSC Book Tournament. In case you were curious, yes the two events ARE similar! Our tournament is set up in the style of March Madness where we will eventually crown the Best Dystopian Novel of 2011 (as voted by our readership).

This is the first year Optionated will be participating in the BSC Book Tournament. Because of the world wide phenomenon caused by The Hunger Games over the last year, our tournament will give you a taste of The Hunger Games with 32 dystopian novels fighting to be crowned the winner.

The rules are these: eligibility is determined by a book being published for the first time in 2011, in the science fiction or fantasy genre, YA inclusive (anthologies are only considered if they are not reprints). The selected contestants are bracketed out into four groups; within each bracket the seeds are matched highest to lowest, and a voting poll is put up on our website. The poll will remain open the designated length of time (schedule TBA), and winners are determined strictly by the highest number of votes.  The winners of each round of voting will be matched to their next opponent on a pre-designated schedule (to be announced at the end of this week, in advance of any match-ups). Repeat the steps until we have four bracket champions, who will then play against one another to determine which books proceed to the consolation round, and which to the championship.

Because, as with Highlander, in the end there can be only one.

You can see our list of 32 contestants in their four brackets below:

Future Apocalypse Bracket

  1. Incarceron – Catherine Fisher
  2. Ship Breaker – Paolo Bacigalupi
  3. Birthmarked – Caragh M. O’Brien
  4. Fever Crumb – Philip Reeve
  5. Legend – Marie Lu
  6. The Death Cure – James Dashner
  7. Across The Universe – Beth Revis
  8. All These Things I’ve done – Gabrielle Zevin

Global Catastrophe Bracket

  1. Epitaph Road – David Patneaude
  2. The Eleventh Plague – Jeff Hirsch
  3. Enclave – Ann Aguirre
  4. Wither – Lauren Destefano
  5. Awaken – Katie Kacvinksky
  6. Ashes – Ilsa Bick
  7. Delirium – Lauren Oliver
  8. Eve – Anna Carey

Female Lead Bracket

  1. Uglies – Scott Westerfeld
  2. Matched – Ally Condie
  3. The Line – Teri Hall
  4. 21 Erased – Barbara Rayne
  5. Helper 12 – Jack Blaine
  6. Divergent – Veronica Roth
  7. Dark Parties – Sara Grant
  8. Bumped –  Megan McCafferty

Male Lead Bracket

  1. The Scorpio Races – Maggie Stiefvater
  2. The Gardener – S.A. Bodeen
  3. Ashfall – Mike Mullin
  4. Ready Player One – Ernest Cline
  5. The Water Wars – Cameron Statcher
  6. Dark Life – Kat Falls
  7. Vortex – Robert Charles Wilson
  8. Dark Inside – Jeyn Roberts

Voting will begin on Monday, March 12, 2012 for the Future Apocalypse Bracket and Global Catastrophe Brackets and on Tuesday, March 13, 2012 for the Female Versus Male brackets.

You can see the full schedule of matches here, and begin voting for round one here. 

Please follow us at @Optionated_  for Twitter or here for Facebook!

Bolivar the Last Dinosaur Optioned For The Big Screen

In another bold move, Warner Bros. has picked up the adaptation right for an upcoming graphic novel that has not been released yet. The graphic novel is due for release come May 2013 is called Bolivar, written and illustrated by Sean Rubin from Archaia Entertainment.

Bolivar is a story about a young girl named Sybil who moves to New York. Sybil discovers that her neighbor is Bolivar, a dinosaur. Well aren’t they extinct? Yes, well he is the last of his kind.

Bolivar refuses to befriend Sybil despite her persistent efforts. Somewhat of a recluse, the dinosaur hides away from the world, a world that Sybil wants him to explore with her. He soon realizes that Sybil means a lot to him and that he would risk everything for her.

I’m conflicted here. This could go three ways.

One, this could be very kiddy where everyone learns a valuable lesson from caring and sharing in the end. Bolivar who can be equated to a garbage can dwelling muppet, might learn the true meaning of ‘friendship’ for once in his life. There may also be songs that I cringe at.

Two, this could be sadistic and evil on so many enjoyable levels; to me at least. Asides from the difficulties that Bolivar should have with combustion engines; they run on the liquefied remains of his people; this could be a very sarcastic movie. For example, Bolivar must be able to get whatever job he wants as no one has met the dinosaur quota for employees. Heh, affirmative action is funny. I’m also reminded of one of my favorite movies, Leon/The Professional. Leon the creepy assassin befriends a child named Matilda and later gives up everything for her. I really want to see a dinosaur wearing the toque and round sunglasses now.

Three, the story becomes serious in a mock sense. Take some of Rubin’s previous works in Mouse Guard: Legends of the Guard. It’s about cute mice in medieval garb fighting for their lives! They struggle for survival against their natural foes and against each other with lots of treachery. So for as cute it is, it has a lot of death and mature themes. For all we know, the story of Bolivar might be a tale of his victimization and survival, the failing struggles of a guy who was born looking like a dinosaur.

Though it would be interesting as a live action movie, Bolivar has been slated as an animated feature. This will be adapted and directed by Irish filmmaker Kealan O’Rourke, winner of the best animation prize for The Boy in the Bubble at the Irish Film and Television Awards. Akiva Goldsman and Kerry Foster are expected to produce this film via their Weed Road company, while Archaia editor-in-chief Stephen Christy will also produce.

Discover The (Gorgeous) Secret World of Arrietty – A Review

Why are you interested in this adaptation?

Elena-

The real question is why would I NOT be interested in this movie?

I love animated films.  And by animated I mean cartoons. Anime is one of the few remaining sources for old-school animation, and it’s also essentially the only place you find animation for adults that is therefore moving the techniques and aesthetics of the medium forward still.

I also enjoy anime as a genre, although I never really go out of my way to find it…but when it comes to me, I see it and enjoy.

To the final relevant point in this discussion, I enjoy fairy tale/folk tale type stories, especially new ones (either new to me or original stories in that vein), and the idea of a world of little people who live in a small corner of our world is right along the traditional folk lines.

Rachel-

Sure, I read the plethora of novels about small things when I was a kid (The Borrowers, Indian in the Cupboard, etc.) but I’m in this for Studio Ghibli. I pretty much love Every. Single. Thing. Ghibli has ever produced. (Except Tales from Earthsea, but we can talk about that later…)

They’re just sooo friggin beautiful! And there are lots of girl heroes! The stories are also much more varied than the Disney offerings of the last 15 years, and I really appreciate that. I didn’t discover Ghibli until college, but I was an instant convert.

If you’ve never heard of Studio Ghibli or its founder, Hayao Miyazaki, you probably remember Spirited Away winning an Oscar about 10 years ago, or you’ve seen the Ghibli character of Totoro making cameos in a few Pixar films. Suffice it to say, Miyazaki and his Studio Ghibli are extremely influential, and to call him the Japanese Disney is at once accurate and entirely misleading.

And yes, my favorite is Nausicaa. People are never surprised by this.

Elena-

I would like to point out another instance of my growing up under a rock: I had no idea what The Borrowers book series was until after I had seen this movie when I was recommending it to a friend and she was all, “Oh, I wonder if it was based on The Borrowers books?”

And for the record Howl’s Moving Castle is probably my personal favorite Ghibli film, but that’s probably just because it’s so abstract and weird, especially in the middle.

 

What would make it awesome?

Rachel-

I don’t really know what to expect. I’ve purposefully only seen the teaser trailer. I know it’s beautiful already, and I won’t be disappointed there. I also know it won’t follow The Borrowers‘ plot even though some of the names are the same. The teaser trailer doesn’t really let you know any plot details, so I can’t point to any specifics. I assume the Borrowers will be discovered, and there will be an escape of some kind.

I’m also looking forward to the soundtrack and even the sound editing, which in Ghibli films is always excellent. Judging from the teaser trailer and posters this is going to be a nature-heavy film (most of them are, but I’m thinking of My Neighbor Totoro especially), and I’m looking forward to seeing the fruits of the extensive research Miyazaki and his team have obviously done.

Elena-

I am going to take this question as, what would make it not just good but FUCKING GOOD.  To that end…if the animation is really creative and proves why this has to be a 2-d animation movie.  What I mean by this…there were scenes in some of the Cowboy Bebop episodes that literally could not be filmed in live action.  The angles and perspectives were just too extreme.  That is pushing animation as a film technique forward.  If this movie has that kind of A-game animation, and a really good and original story, then it will be off the chain.

At this point with the track record Rachel and I have had on watching movies together, I’ll settle for just a really good and slightly original story!

 

What would make it suck?

Elena-

I don’t really think there’s a lot of feasible ways to make this film terrible.  Maybe if they just rewrote the story of the original and were working with either a spliced version of the visuals or trying to fit a new story onto the original animation.

But if they’re working with the original movie (which is highly acclaimed and would not be chosen for export if it were not solid), just dubbed in English, there’s nothing that will make this awful short of using Gilbert Gottfried and Fran Drescher as the voice talent.

Rachel-

Before I had seen Tales from Earthsea, I would have said with great confidence that no Studio Ghibli film could ever disappoint me, but Miyazaki’s son definitely did that with Earthsea. There’s some drama behind that film (it led to a feud between father and son because Hayao didn’t think his son Goro was ready to direct, and the film was based upon not just Ursula Le Guin’s novels but also Hayao’s manga. You can see how things got touchy). While Tales from Earthsea had the quality animation we’ve all come to expect from Studio Ghibli, it was a rambling, incoherent mess. It suffered from too much going on, the type of interrupted plot lines you get when you watch condensed film versions of really long anime series.

I hope the story is simple. That’s what Studio Ghibli excels at.

 

Thoughts on casting/production?

Rachel-

While Hayao Miyazaki’s name is attached to Arrietty, he is not directing it. He did write the screenplay and is involved in production, so I am confident that this won’t be another Tales from Earthsea.

I am disappointed in the fact that I’ll be watching a US-specific dubbing when I see it in the theater. In general, I find the Disney-lead American dubs to be more about using famous voices to get American parents to see a film with their children than picking good voice actors. In fact, they generally don’t even use professional voice actors at all, which is really disappointing! The US dub features Amy Poehler, Will Arnett, and Carol Burnett. A more inspired casting than, say…Christian Bale in Howl’s Moving Castle…but I’ll bet the UK version will be better. (Although…Christian Bale could technically be the UK dub of that one, except I don’t believe they did region specific dubbing on that film, just Japanese and English)

Elena-

I…didn’t even bother to watch the trailer.  I read the synopsis and country of origin and knew I wanted to see it.  I actually don’t want to go into the film with any expectations—I think in this case a blank slate might be better for me—so, long story short, no, I have no additional thoughts about this production before I see it.

 

Reaction to film:

Rachel-

AHHH. IT WAS SO GOOOD!!!

Legit. Look at this. LOOK AT IT.

The dubbing was fine; there really wasn’t all that much dialogue to begin with. I was having little artgasms examining all the scenes filled with random bits of stuff and trash that the Borrowers had converted into useful objects. Just looking in the corners of their home was worth the ungodly price of NYC admission. It really was.

I loved how ridiculously brave Arrietty was. It was a wonderful counter to the careful details that really made the audience FEEL how being that small must feel. Simple human movements became lumbering, clumsy and ominous. And yet when confronted by cats, insects, chasms and heart stopping realizations, Arrietty just stood and faced it. NO. FEAR. It was just amazing. The boy that the lonely Arrietty befriends, Shaun in the American dub (Sho in the Japanese version), was kind of horribly creepy. But I liked that. He wasn’t charming or really that endearing. He was almost zombie-like in the way he moved around the house and how he just sat, unmoving. He came across as a very sick and lonely boy with no one to talk to and not very much to say anyways. But his intentions were good, if misguided. But yea, that scene (that I now know is in the official Trailer because I watched it) when Arrietty and her father and taking tissue and she realizes Shaun is just STARING at her…that was terrifying!

I also liked the sad little ending. The two new friends must part, never to meet again, but you know that Arrietty will continue her adventures and you feel happy for her that she is going somewhere where she can make friends (and possibly boyfriend! I laughed when a friend of mine who was seeing it at the same time but in another state texted me “Spiller is totally husband material. He grunts, he flies, and he can steer a kettle down a river!”). I’m not sure what happens in the Japanese version as I haven’t gotten my hands on a subbed version yet, but in the American dub Shaun doesn’t die like I was CONVINCED he would. I know in the Borrower novels the boy is the one telling the stories, and you don’t really know if everything he writes about happened or if he is just making it all up. So I assume that Shaun surviving is a nod to those novels. I don’t know why I was so morbid about him. He seemed pretty lackluster as a character. Arrietty definitely stole the show. Hell, Spiller was more interesting than creepy Shaun.

Favorite Scene: When Arrietty is sitting in the crawl space and the roly-poly bug comes up and she uses it as a ball. I don’t know why but I was SO HAPPY when that happened.

Least favorite scene: The freaking CROW in the screen of the window! HOLY CRAP. I mean, hilarious, especially when Haru came in and solved the issue by beating it on the head with her shoe. That scene had me laughing, but I also felt like it was kind of intensely crazy? I dunno. It was like meditating in the glow of a warm and happy film full of quilts and cookie flour and then CROW IN YOUR FACE AND IT WON’T STOP SQUAWKING. Mostly it was jarring.

Ha…jarring. Poor Homily. Haru is a sadist. At least she poked holes in the plastic wrap? I had visions of poor Homily suffocating as soon as she shoved her in that mason jar. Tsk tsk!

Actually let’s take that back. My least favorite scene was the opening scene (even though it was awesome) when I had to listen to that ridiculous song about coming into a garden and the trees and she used to spend her childhood. WHAT. IS. THAT? WHAT IS THAT SONG? IT’S HORRIFIC. It inspired my boyfriend to rewrite the song with dirty lyrics, and he sang it all weekend. That song has to go. It’s even in the Japanese version with the English lyrics. GET IT OUT. IT’S AWFUL. Arrietty’s song at the end was fine, though. Just the coming into the garden song…ugh.

And the cat! We love the cat! I love that cats are looked upon fondly in Japanese culture. Too many Americans are all “I’m a dog person!” and…proud of that. For some reason.

Cats forever.

Except when they eat little people. They shouldn’t do that. Don’t let your cat eat any borrowers living in your house. It’s not nice.

Elena –

I have three words to anyone who loves art and is wondering if they should see this film (and for once none of them are f-bombs):  moving Impressionist garden.

That’s what this movie looked like to me in its animated art direction.  There were lots of colors, lots of shades of green, lots of details of leaf shapes, and yet…this was not photo-realism.  It wasn’t even pretending to try to be. It was just…blurry and lovely and rustling and alive.  It’s worth seeing if you love visual art just for that.

But…the movie on the whole is also pretty much fucking awesome (hey, there’s the drop you knew was coming!).  The heroine, Arrietty, is just awesome. She’s the kind of female hero character we need more of—unafraid of the world, curious, determined, and self-sufficient, yet also vulnerable and open and able of accepting help and seeing the good in others.  She’s like all the good parts of urban fantasy heroines blended with actually being a whole, healthy person instead of an embittered introvert.  I loved especially how willing she was to question the established rules of her life.  I know that’s what kids are supposed to do, but…I don’t think I questioned survival issues when I was 14.

Then there is the High Romantic angle of this being like…the most impossible of all impossible love stories.  She’s the size of one of his fingers.  Even if they were true soul mates they could never have more than companionship.  But they can’t even have that!  Because her parents live by the rule of “human sees us, we have to leave”—and evil housekeeper Haru proves them right to have that rule.  Oh, she’s awful!  (There may also have been a strong resemblance to someone I used to know in real life who caused me significant grief, so my reaction to her was perhaps…extreme.)  It was hilarious to see her foiled again and again and put herself in an even worse position than she’d been in before, when her employers just thought she lost things left and right.

Anyway, the burgeoning friendship between Shaun and Arrietty is sweet and bittersweet at once, since the closer they become the more certain it is that she will have to leave.  Not gonna lie, I teared up at the end.  It was so beautiful.  And how sad was it that the grandfather and Shaun’s mother had built that lovely dollhouse just for them, and they could never live in it?  I totally expected Shaun to relocate them into it and take them home with him, or give them to another house but within the dollhouse.

There were definitely echoes of it being a vaguely romantic interest, at least on Shaun’s part, because both he and Spiller give each other the stink eye, who is THAT asshole?, style.  Spiller was hilarious.  He was great comic relief, but subtle, and also a point of extreme depth for the film’s world-building because he showed that not only are there other Borrowers but that there are also very different ways of Borrowing.  Not all of them live in houses and scaled-down versions of human civilized life.

The movie felt longer than it was—not in a bad way, but it seemed more than 90 minutes.  Maybe because it unfolds at a pretty slow pace, and for all that you can guess several directions it might take you’re never sure which it will take, so you can’t guess how far you are in the plot by typical 3-act structure analysis.

One of the things I liked most is the feature this film shared with other Ghibli movies I’ve seen, and that is that it’s a callback to the fairy tales of childhood.  Not necessarily specific stories, but the infusion of a sense of wonder into quotidian, mundane life.  In an age where Disney has decided they are done with fairy tales (lame), I love that Studio Ghibli proves they can not only be retold but also invented fresh.  While this had great reminders of “Thumbelina” or “Tom Thumb” in terms of the relationship between full-size human and little person, and the scale of our world to them, the story and the scenario were totally different.  Again, not having read The Borrowers series, I can’t speak as to how close it was to those books, but it was fabulous for an impartial observer.

Graphic Novel “Trespassers” Gets Optioned For The Big Screen

Variety recently reported that the supernatural graphic novel, “Trespassers” will be heading to the big screen. The graphic novel was written by Scott Hampton but the script will be written by Bob Gale and the film produced by Ryan E. Heppe.

The graphic novel follows a group of mythbusters, set on debunking the legend of a famous allegedly haunted house. They have their scientific rationality tested when they discover demonic guardians, a gateway to hell and the fact that not all of them are exactly who they claim to be.

Heppe stated regarding the project:

“A good horror flick needs one thing: a simple, original premise that’s terrifying as hell,” Heppe said. “Add to that obvious franchise potential, and the opportunity to combine “found footage”-style scares with traditional filmmaking frights and you’ve got something really unique.”

Hampton previously wrote and drew “The Upturned Stone.” Gale co-wrote the first Back to the Future film and penned its two sequels on his own. He also wrote for the second “Tales from the Crypt.” Heppe is currently rebooting everyones favorite robot movie, Short Circuit at Dimension as well as developing feature versions of “T.J. Hooker” and “V.”

I am definitely ready for something new to scare me and thrill me, and this definitely could be awesome. My only concern is that with so much on all the plates of everyone involved, the project could get stalled at some point. I hope that it doesn’t, but I had a hell of time even finding this graphic novel online.

The project is still only in development with no word on any plans regarding who will star in the film or a project release date.

Valiant’s Bloodshot Gets Optioned by Sony

Valiant Comics return to prominence this year has yielded a new step forward for one of their creations into the world of movies. It was recently reported that Sony Pictures and Neal Moritz Original Film have teamed up to acquire the rights for the Valiant Comics series, Bloodshot. 

Bloodshot, like many comic book characters, was born out of experimentation gone wrong. Mob assassin Angelo Mortalli was forced into an experimental procedure which involved his body being injected with nanites that enhances his strength and skills but unfortunately in the process his memory was wiped clean.

The comic, Bloodshot, was introduced to the world in 1994 during a time when comics were “grim and gritty.” This time period gave us Marvel’s The Punisher and Frank Miller’s “The Dark Knight Returns.” Bloodshot became one of the highest-selling comics in the history of Valiant Comics when it sold a reported 900,000 copies.

When Acclaim Entertainment bought Valiant, they began the process of developing a video game based on the character, but unfortunately they scraped the project shortly after.

But good news! Valiant Entertainment has plans to bring the character back to the comic book world later this year.

Here is the official press release from Sony:

Columbia Pictures is closing a deal to acquire the rights to adapt Bloodshot, the bestselling Valiant comic book character, into a feature film to be produced by Neal H. Moritz through his Original Film banner and Jason Kothari and Dinesh Shamdasani on behalf of Valiant Entertainment, it was announced today by Hannah Minghella, president of production for Columbia Pictures.  Jeff Wadlow will write the screenplay.

Bloodshot first appeared in Valiant comic books in 1992 and quickly became one of the comic world’s most popular characters.  Appearing in over 70 issues, the character sold seven million comic books globally and was a cornerstone of the Valiant Universe, which sold more than 80 million comic books, third only to Marvel and DC. As Valiant re-launches in 2012, the Bloodshot character will return to shelves as well.

Commenting on the announcement, Minghella said, “The Bloodshot character has been a fan favorite for nearly two decades, selling  approximately 7 million comic books globally. Because there have been more than 1,500 pages of storylines published, there is a rich legacy to draw from as we develop the screenplay.  Neal is one of the best action producers working today and we know he is the right filmmaker to take on this potential franchise.”

Originally founded in 1989, Valiant Comics quickly became one of the most successful comic book publishers by creating unique and compelling heroes and villains and focusing on storytelling.  Valiant characters have been written and illustrated by many of the industry’s most famous creative talents, including Jim Shooter, Bob Layton, Barry Windsor Smith, Joe Quesada, Jim Lee, Frank Miller, Garth Ennis, Warren Ellis, Bryan Hitch, Steve Ditko, Mike Mignola, Kevin VanHook, Don Perlin and Neal Adams, among many others; in addition, Valiant was previously named Publisher of the Year by Diamond Comics Distributors.  Valiant is returning to comic books in May 2012 and has a number of movie projects in development based on its characters involving some of the industry’s top business and creative talent.

Neal Moritz and Original Film are currently in post-production on four films: 21 Jump Street andTotal Recall for Columbia Pictures, R.I.P.D. for Universal, and Warner Bros.’ Jack the Giant Killer. He is entering pre-production on the sixth entry in the Fast and Furious franchise as well as onDead Man Down, starring Colin Farrell and Noomi Rapace. With over 40 films to Moritz’s credit, past titles include Battle: Los Angeles, The Green Hornet, The Fast and Furious series, I Am Legend, XXX, S.W.A.T., Gridiron Gang, Sweet Home Alabama, Click, Vantage Point, Blue Streak, Cruel Intentions, I Know What You Did Last Summer, The Skulls, Volcano, Urban Legend, and Juice. Original Film’s box office is north of 2 billion worldwide.

We definitely need a new comic book adaptation to love and cherish. I don’t think I can handle yet another reboot of Superman, Spider-Man, or Batman for at least another ten years. And while I have never read Bloodshot (and I keep hoping they do a young justice movie with Secret, Spoiler, and Impulse) I like the idea of another gritty, dark comic book being made for my viewing pleasure.

Game of Thrones MMORPG: Cash Grab is Coming

Cable network HBO has signed a deal with Bigpoint to develop a new online game.  This new game will be a massive multiplayer online role playing game based on HBO’s series” Game of Thrones”, which in turns is adapted from George R.R. Martins original A Song of Ice and Fire book series.

The German game developer Bigpoint has already had some experiencing developing MMORPGs, creating one based on the Battle Galactica television series.  The “Game of Thrones” online game will also be available as a free-to-play and set in the fictional world of Westeros.

Bigpoint CEO Heiko Hubertz had this to say:

“With a rich and complex story, expressed through an amazing level of detail, it’s easy to see why the HBO series Game of Thrones has amassed an army of fans worldwide.”

“We intend to build a game that resonates intimately with its diehard community of followers, while also creating an authentic gaming experience that attracts newcomers to the franchise.”

Jack Wulff, Artplant’s founder and executive producer has said,

“Our goal is to be one of the worlds leading developers of 3D MMO browser based games…”

“As a fan of fantasy it’s a dream come true to be working with Game of Thrones, and there’s hardly any other fantasy license in the world with a bigger potential”, Jørgen Tharaldsen, the games producer added.

Here’s the hitch, while HBO has signed a deal with Bigpoint; a German video game developer; the game will actually be developed by Norwegian games studio, Artplant.

Why’s this?

First off, Bigpoint makes games for stand-alone browser-based games.  Think flash games and social media games.  It also runs a gaming portal website already with a lot of browser based MMORPGs. Meanwhile, the biggest name in MMORPGs right now is World of Warcraft.  That game originally required purchases of DVDs and expansion packs, coupled with many downloads.  The graphics are amazing.  There isn’t much a browser-based MMORPG can do to compete against WoW in terms of quality.

So at this point, the expectation for the imagery of Westeros is set pretty high.  The goal is most likely get that realistic medieval feeling one gets watching the television show.

That’s why Artplant was brought it.  Why not just go to Artplant or another developer then?

I think it’s because HBO likes Bigpoint’s business model for online games.  Bigpoint is currently one of the leaders in the fast-growing free-to-play gaming industry.  Free-to-play means that you don’t have to purchase the game, an activation fee, or a monthly fee.  The catch is that if you want any perks to the game, you have to pay for it.

Take Dark Orbit for example.  Dark Orbit is a game which was developed by Bigpoint.  The game is set in outer space; where flying ships are easier to render than the illusion of walking and riding around on terra firma.  Players control a spaceship in a battle against non-player characters and other players. In these battles they can be supported by combat drones.  There are different levels of drones ranking up to the 10th drone; the Zeus; which is very rare.  In order to obtain one, you need to have all 9 previous drones and the blueprints to make it.

The game has over 7 million registered users and amongst them, a fraction will actually pay an exorbitant fee for in game advantages.  The cost of bypassing all the rules to get a Zeus drone was offered for the low price of 1000 Euro Dollars.  That’s around $1300.00 U.S for those people who love the game, perhaps their primary source of enjoyment.  To them it may seem like good value.

Unlike most social media games that try to nickel and dime with minor in game perks; like buying into the in game monetary system; the business model of the Bigpoint is not to get everybody to spend a dime, but to get the addicted gamers to spend a whole lot.

As of today, they already have over 250 million registered users and I think HBO wants a piece of that online pie.  This is in addition to the console adventure game being developed by Cyanide studios.  Their game perk is currently an art book that comes with pre-orders; while supplies last.

While I look forward to wild incestuous sex and nudity in an online game, in the end, this is basically another HBO cash grab.  It’s only a matter of time before there’s a MMORPG for “The Walking Dead.”

The second season of “Game of Thrones” begins on April 1.

Battle Royale VS The Hunger Games – A Comparison

I will go ahead and say this, yes; there are some major similarities between The Hunger Games and Battle Royale. But when you take a moment to look at individual components of each, you realize that while they are similar, the feel and details are very different.

So I’ve created a comparison of the two works to see where they stand.

Origins

Both films, Battle Royale and The Hunger Games, were initially based on novels. BR is a 1999 Japanese novel written by Koushun Takami. It has also been adapted into a film and a manga series. HG was written by Suzanne Collins as part of a trilogy that is being adapted into a four film series.

Setting

This category is a little bit of the same and a little bit different. HG takes place in a dystopian future in which North America has collapsed and everyone is ruled by the central governing body, The Capital.

BR takes place in an alternate timeline, in Japan. And it is in the pretty close future you know give or take 20 years.  In this world, the dystopian world is most likely linked to economic collapse (and is pretty plausible the way the world is heading now – minus the “BR Act”).

While both are indeed set in dystopian settings, they have enough differences to safely say they are different.

The Hook

The Hook, and the main proponent that the two are so similar is the fact that they involve a countries young children fighting each other to death in an arena type situation. It is true, they are VERY similar ideas, but they are ideas that are unique to the novels as a whole.

Both BR and HG the event, called “The Program” or the “BR Act” in BR and “ The Hunger Games” in HG, is punishment by the government to instill fear and oppression upon their citizens,

However, in BR, the program is used mainly to deter the young citizens from forming or joining gangs and enacting violence in the already desolate world they live in.

In HG, the games are primarily used to show the overwhelming power that the government holds over its citizens. The Capitol uses the games to show people that they are so powerful they can make their children fight to the death whether they like it or not.

But it is important to point out that in BR, the program is basically secret, no one knows when or where it is happening while the games in HG are broadcast like a terrible reality television show that you are forced to watch (another way the Capitol secures its power over its citizens). In BR it is even unclear if most of the country even knows what the BR Act is or that it is even happening.

Also the means of which to choose its victims is different between the two. In BR, a random classroom of teenagers are chosen against their will and knowledge and placed in an secluded area and are given three days to kill each other so that one can live.

In HG, the whole country watches as they send tributes off to the arena where the games can last a week or more (although if there isn’t enough action, they make sure people die).  There is also a volunteer choice people can make. Either for the honor to win and live or (as in the novel) to save a loved one from going in to the nightmare of the arena.

Another big difference in the setting is that while District 12 in Panem (HG) is poor, the whole country isn’t. In fact some are relatively well off and the Capitol is the definition of a hedonistic lifestyle. While in BR, the whole country is in shambles with an unemployment rate climbing and the country crumbling.

Dynamic Between Participants

I think it is interesting to point out that the dynamic between the participants in the games or the program is vastly different. This lends itself to being one of the biggest differences between the two stories because it changes the whole feel of the novels.

In BR, they choose a whole classroom to go in, which means everyone there knows each other pretty damn well as they have probably been in school together for years.

In HG, many are just meeting for the first time, and thus, have no emotional attachment to each other besides their district mate and even then because they could be years apart in age and in status of the community, they still might know each other and have no attachment.

In BR, it is much worse because now friends and lovers must kill each other rather than strangers killing strangers to live (which would be much easier for the contestants).  So when other tributes like Glimmer or Clove get killed, you don’t really mind so much because you don’t know these people, they are strangers.  But in BR, you are watching friends kill friends, which add a whole layer of sadistic sadness to the situation.

The Weapons

Of course this is similar in that the participants have random weapons, but how they get them is what makes them different.

In HG, the tributes are set in random spots around each other and at the starting mark they have to make a choice. Run for the Cornucopia where there are a plethora of weapons and items and possibly get killed (this is where most of the tributes die) or run and find water and a hiding place till everyone else is spread out and then try to get your bearings and a weapon.

In BR, it is much different. The contestants in BR are given a survival pack before entering the area. The packs contain different supplies and a random weapon with which they will kill each other. The “weapon” could range anywhere from a gun, to a bow, to a random ass item like a frying pan. It is a surprise grab bag basically for all the contestants.

One very similar idea, however, is that both works do contain a failsafe incase people are not dying fast enough. In HG, the game makers will rain all kinds of shit down to make sure people at home aren’t bored with the entertainment. This could include an earthquake or fireballs raining down.  The game masters in BR also use this same tactic to try and encourage these friends to kill each other.

I’d choose the girl who was on fire over the pot lid any day.

LOVE

Yes, it is true that the love aspect of HG is one of the higher selling points of the novel, that has spawned squeals of girlish glee and teens clamor over whether to buy a “Team Peeta” or a “Team Gale”. But there is also a love story written into the pages of BR except that this one is downplayed as a way to make room for much MUCH more violence.

In HG, Peeta Pocket and Male Gale internally fight over who deserves and loves Katniss the most. While she proceeds to play with them both in attempt to A) LIVE and B) figure out her own confused feelings of life and love. (And yes I am all for Peeta Pocket and Katniss together so they can make delicious bread together).

I just want them to make out right now!

In BR, we have Shuya and Noriko who you definitely want to live and love but when you realize that, hey, all these characters have dated one another, loved one another, have emotional attachments to one another, its hard to focus on the love story of these two characters. Not to mention the rape-y aspect of one of the characters is a little unsettling.

The Villain

In HG you have President Snow, in BR, you have the teacher. One is slightly to incredibly more powerful then the other, but surprisingly, the teacher is scarier. Yes, Snow smells of blood, but the teacher in BR you have a lonely angry man who has a wayyyy to weird obsession with children killing each other.

Both rulers also have an uncomfortable obsession with the lead female though, which is creepy in the “don’t leave the house” kind of way.

 The Characters

This NEEDS to be said. All the students in BR are freaking insane.  With the exception of Shuya and Noriko, everyone else in the story are literally just crazy. BR takes the characters to an extreme in which they will stop at nothing to kill each other and anyone who acts reasonably and logically like the leads, stand out as weird when surrounded by such insanity. (One of the characters doesn’t even feel real human emotion due to a brain injury!)

In HG, all the secondary tributes and characters are a little bit in the least relatable. The careers make sense, they want honor and they want victory in something they’ve been training for their whole lives, and everyone else was thrown in there under the same circumstances and they all want to live but they all have moral codes that at one point or another hold them back. Thresh doesn’t kill Katniss as a payback for her taking care of Rue, and often the tributes from each district form a partnership for as long as possible, protecting each other.

In BR, the only people who don’t go on a full on Patrick Bateman in the novel are considered weird and weak.

The Technology

Technology plays a huge part in both films/novels. It is used to police and monitor much of the world around them as well as control the arena in which contestants are dropped.

In HG, since they are in the future, they have crazy awesome technology like giant hovercrafts, the ability to manipulate anything in the arena as well genetically alter new species and creations. They even have the ability to create force fields, and biotech weapons as well a whole underground city complete with food and water.

Although BR isn’t that technological advanced, it still uses extreme technology to keep people in line. They use an exploding collar on the neck of every participant to make sure they either fight to the death, or die by way of the collar.

Each story uses the technology is a different way, but its results are the same, fight to death or die anyway if you refuse.

The Violence

 Pretty obvious right? I mean it is about kids murdering each other for basically entertainment. But while HG is very violent (this includes arrows to the neck, stones to the skull, and poison) BR still wins. It is gory and bloody to the very end with very little in between.

It has been pointed out that BR uses such brutal violence as a way to remind those watching that hey this is what the story is about. But in HG, we are seeing things from the eyes of Katniss, who internally struggles with killing, rationalizes it, and actually kills very little when compared to her fellow tributes who kill without second guessing themselves.

With that said, they are both pretty brutal.

The Overall Tone

In Panem, the tributes spends weeks in front of cameras, at events, touring, doing interviews and such BEFORE going into the arena where the whole country watches them die. The world gets to know each tribute only to watch them die horrifically weeks later.

In BR, the program happens secretly and is called “military research” so the biggest mind f*** is only between the participants.

Panem spends weeks building emotional investments to the tributes in front of the cameras so that can see them die. The Capitol must certainly uses this technique as another way to assert their dominance (albeit subconsciously).

In the program of BR, the only emotional investments have already been made over years and YEARS (instead of weeks) of friendships and time. So when the characters have to die, its even more heartwenching for the reader/viewer al though not for those involved because they are already insane.

This lends to the very different tones of the stories. In HG you get to know the characters as well, bond with them and move with them because we are seeing the story and the history through the eyes of someone living it.

BR is about blood, violence, hatred, and little touch of love set in a world that gives little explanation and very little connections between the characters. It is a good film, but doesn’t have the bonding quality that HG does.

So yeah, these stories have a few elements that are similar, but hey most of the world is similar if you look hard enough. And hey, who says two people can’t have similar ideas? Besides I am just as much a fan of the gore in BR as I am in the overall story of HG. I like them both but for different reasons because each film/novel gives me something different when watching it or reading it.

Jonah Hill and James Franco Set Out to Film a True Story

Superbad star Jonah Hill and 127 Hours actor James Franco will be teaming up and getting ready to headline the film adaptation of True Story. Based on the memoir by Michael Finkel, True Story: Murder, Memoir, Mea Culpa. The 2006 release of the book is a bit of twisted meta storytelling.

One of the official book descriptions:

The story begins in February of 2002, when a reporter in Oregon contacts New York Times Magazine writer Michael Finkel with a startling piece of news. A young, highly intelligent man named Christian Longo, on the FBI’s Ten Most Wanted list for killing his entire family, has recently been captured in Mexico, where he’d taken on a new identity—Michael Finkel of the New York Times.

The next day, on page A-3 of the Times, comes another bit of troubling news: a note, written by the paper’s editors, explaining that Finkel has falsified parts of an investigative article and has been fired. This unlikely confluence sets the stage for a bizarre and intense relationship. After Longo’s arrest, the only journalist the accused murderer will speak with is the real Michael Finkel. And as the months until Longo’s trial tick away, the two men talk for dozens of hours on the telephone, meet in the jailhouse visiting room, and exchange nearly a thousand pages of handwritten letters.

With Longo insisting he can prove his innocence, Finkel strives to uncover what really happened to Longo’s family, and his quest becomes less a reporting job than a psychological cat-and-mouse game—sometimes redemptively honest, other times slyly manipulative. Finkel’s pursuit pays off only at the end, when Longo, after a lifetime of deception, finally says what he wouldn’t even admit in court—the whole, true story. Or so it seems.

Hill will play the role of Finkel, opposite to Franco who will take on the role of Christian Longo.

Brad Pitt, who recently starred in the film Moneyball with Hill, will produce for the project through his Plan B production company. I’m sure Pitt will no problem funding the venture. Pitt can just use the opening day box office ticket sales of the upcoming World War Z film. Rupert Goold is set to direct and the movie will be his theatrical debut.

Hill must be happy to reunite with Pitt for a movie, particularly when he believes that they had a chemistry off the set; like in a one sided bromance. In a talk with MTV News, Hill said, “I think [Brad] and I are really close in the movie. The movie is really the two of us playing off of each other a majority of the time, so if that chemistry wasn’t there between us, I think the movie would have completely failed.” Hill went on to add, “So I think we both knew that going in, and I think we both happened to like each other a lot.”

First rule of bromance club.  Don’t talk about bromance!

Pre-Orders of the Game of Thrones Video Game Bundled with Bonus Art

Game of Thrones had a game under development before the HBO show came around. However, it seems that a late deal was reached to incorporate some familiar faces and voices into the video game from the television series. So from how things stand now, there will be a mixture of game development that combines the vision of Cyanide Studios; the game developer; ATLUS; the game publisher; and HBO’s vision; the television show adaptation.

The original story for the game was written under the supervision of George R. R. Martin, author of the Game of Thrones book series. The game promises to deliver an interactive role-playing experience for avid fans. Gamers will visit Martin’s world of Westeros, containing within its own plane familiar locations and characters straight from the book. Fans of the intellectual property who can’t get enough just simply reading or watching the story will have a chance to take an active role, immersing themselves in the drama as it unfolds.

But wait, there’s more! Those that pre order the upcoming Game of Thrones RPG will also receive a hardbound art book, Game of Thrones: Visuals from the RPG. This offer is only available from participating retailers while limited supplies last. So those with impulse buying issues or want to have the extra swag, pre-order your game from from Amazon, GameStop, EB Games, or the HBO Shop.

The bonus art book offers sixty-four full color pages that include sketches, concept art, photos, screenshots and renders from the game, complete with DVD Commentary like text from the game’s developers. The package will also include behind the scenes materials, like a special message from Martin; possibly telling us to drink more Ovaltine; and a portrait of the development team. That’s what I’m missing from my life, more portraits of development teams. The bonus book measures at 8.5″ wide and 11″ tall, hardbound and printed on the most premium of stock papers. You know, the hard glossy kind that resists fingerprints and could kill children with paper cuts.

With the collector’s edition quality here in the bonus book, some may just want to get their hands on the art rather than the game. If they do, they’ll have to shell out $60.00 for it like everyone else. Though I’m sure that if you wait long enough online, you’ll be able to find the book being resold somewhere; to offset the cost of games and all. Yes, people will do it. I remember buying the Vampire: The Masquerade video game just for a hardcover Book of Nod. I ended up just giving a friend of mine the game.

In an official press release, The Game of Thrones: The Game, has been described as follows:

“In this 30-plus hour action RPG, players will enter the gritty and medieval fantasy world of Westeros. As one of two original characters with disparate motivations, both former soldiers of Robert’s Rebellion, players will forge alliances and wage battles as they play a pivotal role in the ongoing war for power of the Seven Kingdoms. Their journey will span numerous quests, during which they will interact with many characters and make key decisions that impact the realm.

Standing before the majesty and bitter isolation of the Wall or walking through the streets and alleys of King’s Landing, players will not simply pass by locations and characters integral to the series; they will explore and interact with them, meeting and learning about the people and history that defines them and their importance. Key decisions and major events will have meaningful impact on Westeros, allowing the player to witness how the game world evolves over time based on their actions or inactions. Moreover, “Game of Thrones” introduces an innovative “active slowdown tactical combat engine” in which combat mirrors the series’ thoughtful approach to war and politics: fighting slows but never stops entirely, forcing the player to make quick, pressured choices before their enemy strikes again.”

Isn’t the slowdown tactical combat engine basically Matrix bullet time? I’m pretty sure they did that in the Max Payne video games and Prince of Persia. Either way, it remains to be seen whether or not the game lives up to the acclaim that Martin and HBO have brought to the franchise.

Check out the game trailer below.

Top 3 Scenes From The Hunger Games I Am Most Excited To See

With the massively anticipated film, The Hunger Games, little less then a month away from hitting theaters, my personal anticipation for the film is growing. Yes, I preordered midnight showing tickets, and yes I read all three books in less than three days, and most certainly, yes, I am team Peeta (and no I can’t believe I just said that…) Either way, the point is, we are all excited for this film.

After reading the novel and considering the film, I have decided these are the three scenes from the book that I am most excited to see in the big screen adaptation. Unfortunately, we know that when it comes to movie adaptation of books, often things are left out for time purposes (although director Gary Ross maintains this is a very faithful adaptation) so hopefully these three scenes will remain intact for our viewing pleasure.

:::::Caution: there are a few tiny spoilers if you haven’t read the novel:::::

The Interview With Caesar Flickerman

I had to put this one, because I am girl who can’t resist a good proclamation of love. And I would be lying if I said my heart didn’t melt when Peeta professed his love for Katniss. I mean what girl didn’t enjoy that (even albeit slightly). It was a sweet moment, even if at the time you weren’t sure if it was a true revelation or manipulation. Thankfully, we all know it was a revelation of true love. When I read it, I read into its sincerity and thats something that Peeta isn’t able to fake during the games or even afterward. I hope Josh Hutcherson (who plays Peeta) will be able to pull off the sincere admission of love in the movie.

Either way, it was a great scene in the novel and I am looking forward to squealing in girlish delight when the scene plays in the theater.

Tripping of Tracker Jacker Venom

This was definitely one of the more intense moments of the novel. Katniss drops the nest of tracker jackers on the careers camp, killing two of them. However, in the process she gets stung several times and begins to hallucinate. I am very curious on how they are going to film this because basically, she was tripping. Her hallucinations are vivid and bright and incredibly weird.

I am excited to see this scene, because I think watching it will be pretty powerful compared to just reading about her tripping on the acid. I am also curious how the visualization of the weird things she sees will translate on screen.

The Feast

Easily my favorite scene in the novel. (The end with the berries is pretty awesome too, but c’mon you knew they would both live or there wouldn’t be two more books!) While reading, you know there is so much at stake when Katniss drugs Peeta to go to the feast and retrieve precious medicine and materials they need.  It was pretty intense and I couldn’t force myself to stop reading this. I can guess its going to be even more intense of the big screen. The feast scene adds more intensity when Katniss is about to be killed and Thresh saves her life.

While this is easily one of the most brutal scenes in the novel (I mean Thresh does cave in Clove’s skull) I know they will probably lighten it a little bit, however, even if it is a little less bloody, I really hope they retain the immense anxiety and fast paced imagery that the novel employs. Seriously, it was brutal.

I have mentioned before how much I loved this book series, and I still do. And frankly, I haven’t been this excited for a movie since Arrested Development announced chances of a movie. I will be moderately happy with the adaptation if at least these three scenes remain relatively intact. (But hopefully this really is a faithful adaptation and I will love it) I think all three are crucial turning points in the novel and should remain as they are.