Category Archives: Movie Adaptations

ULTRAMARINES : A WARHAMMER 40k Movie Releases On Blu-ray and DVD March 5, 2013

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Anchor Bay Entertainment has announced the March 5th Blu-ray™ and DVD release of the Sci-Fi CGI animated film Ultramarines, a Warhammer® 40,000® Universe film. The film stands as the first ever feature length movie interpretation of the internationally successful Warhammer® 40,000 world.

The official plot is as follows:

It is 41st Millennium, and the only force that stands between humanity and alien hordes are the Space Marines. Genetically enhanced, clad in power armour and knowing no fear they are the angels of death. And the greatest of them are the Ultramarines™. But when a select squad of scarred veterans and raw recruits responds to a distant planet’s distress beacon, they’ll discover that a horrific evil has been unleashed. And amidst a living nightmare of chaos, carnage and daemonic fury, these steel battle-brothers must now survive the ultimate enemy: Themselves.

Ultramarines features the talented voice work of Terence Stamp (Superman IIWanted), Sean Pertwee (Dog SoldiersEvent Horizon) and John Hurt (AlienHellboy) and contains over 45 minutes of bonus features including Into The Void: Making of Ultramarines™, Between Chaos & Darkness: The World Of The Space Marines, Creating the Daemon and a cool Ultramarines™ “prequel” animated onscreen graphic novel.

Warhammer and Ultramarines was created by Games Workshop and has already been developed into a series of successful video games and novels from its roots as the most successful tabletop wargame in the world, Ultramarines™ is the Warhammer® 40,000® universe as you’ve never been able to experience it before.

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Shadow of the Colossus Heading To The Big Screen

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Film adaptations of video games have often not fared well in the past. (I’m looking at you Alone in the Dark and Mortal Kombat: Annihilation.) Whether it is due to alienation of the gamers or because the film got the “Hollywood treatment,” there have been few exceptions pleasing both fans of the video games and film goers alike. Now it seems the massively popular Playstation 2 game, Shadow of the Colossus, is set to head to the big screen in an attempt to adapt the 2005 action-adventure game published by Sony Computer Entertainment.

Seth Lockhead, the scribe who co-wrote the film Hanna, has been hired on to work on the screenplay for the film adaptation of Shadow of the Colossus. Josh Trank, most known for his film Chronicle, was hired in May 2012 to direct the project. The original script for the adaptation was written by Justin Marks in 2009 and will now be overseen for rewrites by Trank.

Shadow of the Colossus follows the character Wander as he enters a forbidden land. He must travel across the world while defeating sixteen massive beasts known as Colossi. His objective? Love, of course. Wander does the impossible to restore the life of a girl named Mono. What makes this game unique, especially for its time, is that unlike most action/adventure games  or RPG’s, Shadow of the Colossus has no towns or dungeons to explore, no characters to interact with or enemies to defeat other than the Colossi.

The game impressed players with its beautiful gameplay and immersive world partnered with the emotional punch of a storyline. It continues to receive wide critical acclaim with an average score of 91.56% at Game Rankings, and 8.7 by GameSpot, and IGN hailed the game as “an amazing experience” and “an absolute must-have title”, rating it 9.7/10.

Kevin Misher is producing. Misher Films’ Andy Berman and Kevin Chang are overseeing.

There is no word yet on who is in the works to star in the silver screen adaptation or a projected release date. Please make this a good one, Hollywood, please.

Rachel Weisz Talks Her “Oz the Great and Powerful” Character

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The upcoming big screen adaptation, Oz The Great and Powerful, is set to hit theaters in a few months and lead actress Rachel Weisz recently spoke out about her role. The film, inspired by the classic L. Frank Baum novel, “The Wonderful Wizard of Oz,” is a fresh take on the much beloved story.

Raimi’s film is set before the events of the 1900 book and 1939 film. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. He thinks he’s hit the jackpot, with fame and fortune his for the taking… that is, until he meets the witches Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is really evil before it is too late. Putting his “magical” arts to use through illusion, ingenuity, and even a bit of wizardry, Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

Weisz spoke about her character, the Wicked Witch of the East, with media outlet The Sun saying,

“It was a fun idea to be playing someone who is really, really bad,” Weisz told the outlet. “I can’t think of any roles that I’ve had like that before… She’s really, really a bad person and she revels in being bad.”

The Wicked Witch of the East was originally seen in “Land of Oz” created by Baum in his Oz series of books. The cruel old witch conquered and tyrannized the Munchkin Country in the East, making the Munchkins slave for her night and day. The magical silver shoes (changed to the Ruby Slippers in the popular 1939 MGM film version) were one of her most prized possessions, and she met her demise when Dorothy Gale’s house landed on her. Her dry, withered body quickly turned to dust, leaving only the magic shoes.

“It’s a Disney film,” Weisz continues, “so I shouldn’t say she is ‘turned on’ by evil, but that’s what it is like… She enjoys it, like the meaner she is the more pleasure she gets.”

Oz The Great and Powerful hits theaters in 3D, 2D and IMAX 3D on March 8.

Carrie Adaptation Delayed Seven Months

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Sony Picture has announced that they have delayed the big screen adaptation of Stephen King’s novel, Carrie. The film was originally supposed to be released on March 15th but has been pushed back seven months to October 18th.

There is no word on why the film has been pushed back so far, but given the horror movie setting that is Carrie, releasing near Halloween doesn’t seem like a bad idea for the studio. The project has been generating buzz over the last few months as posters and teasers have been steadily released online. Halloween seems like the ideal time of the year for the film to hit theaters.

Carrie stars Chloë Grace Moretz, Judy Greer, Portia Doubleday, Alex Russell, Gabriella Wilde, Ansel Elgort and Julianne Moore.

In a small town of Chamberlain, Maine, teenager Carrie White (Chloe Grace Moretz), is a lonely and awkward high school girl who is constanly bullied by her peers led by the popular mean girl, Chris Hargensen (Portia Doubleday), at school and abused by the hands of her religious mother, Margaret White (Julianne Moore) at home. After participanting in mean prank towards Carrie, Chris’ best friend, Sue Snell (Gabriella Wilde), regrets their action and tries to make amends with Carrie by asking her popular boyfriend, Tommy Ross (newcomer Ansel Elgort), to take Carrie to the prom. Meanwhile, Carrie starts to form a friendship with her gym teacher, Miss Desjardin (Judy Greer), who tries in vain to protect Carrie from Chris and her peers.

However, Chris, her boyfriend, Billy Nolan (Alex Russell), and their friends hatch a plan to humiliate Carrie at the prom. However, Carrie uses her telekinetic power for revenge.

The Kimberly Pierce directed adaptation is set to be more of direct remake of the original novel rather than a remake of the cult classic 1976 film.

The First Official Television Spot For Beautiful Creatures Released

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Warner Bros. Pictures have officially released the first television spot for the upcoming big screen adaptation, Beautiful Creatures. 

Beautiful Creatures is a New York Times bestselling novel written by Kami Garcia and Margaret Stohl and the first book in the Caster Chronicles series.

The novel  tells the tale of two star-crossed lovers. When newcomer Lena Duchannes arrives in the small town of Gatlin she quickly captures the attention of Ethan Wate, who only wants to escape what he views as a boring and dead end town. He quickly gets more excitement than he bargained for, as Lena possesses strange powers that have long kept her at a distance from others in her life. Lena and Ethan are drawn together, but their budding romance is threatened by the dangers posed by Lena’s being a Caster and her family’s Dark heritage, for upon her sixteenth birthday Lena must undergo the Claiming, a process that will decide her fate forever: Light or Dark.

Beautiful Creatures stars Alden Ehrenreich, Alice Englert, Jeremy Irons, Emma Thompson, Viola Davis, Emmy Rossum, Thomas Mann and Zoey Deutch. The film will hit theaters on February 13th and is written and directed by Richard LaGravenese.

You can watch the new television sport for Beautiful Creatures below.

The Hobbit: An Unexpected Journey Surpasses $500M Worldwide

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It is no surprise that Peter Jackson’s highly anticipated adaptation, The Hobbit: An Unexpected has faired extremely well in the box office. As of date, the film has officially surpassed the $500 million benchmark at the worldwide box office.

Domestically, the film has earned an estimated  $179.7 million. Also the film had a record-breaking release in Australia — the biggest Boxing Day opening of all time.  So far it has grossed an estimated $344 million internationally, for a global total of $523.7 million.

The joint announcement was made today by Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

A production of New Line Cinema and Metro-Goldwyn-Mayer (MGM) Pictures, The Hobbit: An Unexpected Journey is the acclaimed first film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit Trilogy,” based on the timeless novel by J.R.R. Tolkien.

Nicholas Hoult, Teresa Palmer, Warm Bodies

The First Four Minutes of Warm Bodies Revealed

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With Twilight (finally) over, Summit Entertainment is preparing to release its next supernatural tale of love, Warm Bodies. The film, based on the novel of the same name written by Isaac Marion, has officially released the first four minutes of the film to audiences.

In the clip, you’ll meet the zombie known as “R” (Nicholas Hoult). After a zombie epidemic, R (a highly unusual zombie) encounters Julie (a human survivor), and rescues her from a zombie attack. Julie sees that R is different from the other zombies, and as the two form a special relationship in their struggle for survival, R becomes increasingly more human – setting off an exciting, romantic, and often comical chain of events that begins to transform the other zombies and maybe even the whole lifeless world.

Warm Bodies is set to hit theaters on February 1st. The first four minutes of the film can be seen below.

The cast of the big screen adaptation includes:
  • Teresa Palmer as Julie Grigio
  • Nicholas Hoult as R
  • Dave Franco as Perry Kelvin
  • John Malkovich as General Grigio
  • Analeigh Tipton as Nora
  • Cory Hardrict as Kevin
  • Rob Corddry as M
  • Patrick Sabongui as Hunting Zombie
  • Justin Bradley as Unknown
  • Tod Fennell as Armed Patrol

The Hobbit: For the Fans, by a Fan

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Rachel –

Ahh The Hobbit. Here at last. Remember back when we started this column for Optionated? The anticipation post for The Hobbit was our first piece. Even more than a year ago we couldn’t wait to see this film and now it is finally here!

I am ready.

Oh I am soooo ready.

We’ve had a lot of changes since our original post. The production videos have brought me back into full-fledged Middle Earth fangirlisms. I feel extreme nostalgia for kiwi accents. I desire hours and hours of extended documentary footage following every goddamn employee that worked on this film. ALL OF THEM. I’ve re-read the novel. I still can’t remember all of the dwarves’ names. LET’S DO THIS.

Proper preparation for viewing The Hobbit:

  1. Peruse “Randy Thrandy”, “Dwarf Racist Party Dad” and “Party Time Thranduil” tags on Tumblr. Become obsessed with totally inaccurate internet interpretation of King Thranduil.
  2. Purchase “Party Thrandy” tshirt to wear to the film even though Thranduil will occupy about 5 seconds of footage.
  3. Dramamine even though it will make you fall asleep because everyone is saying the 3D 48fps will make you sick to your stomach.
  4. Coffee to counteract the Dramamine.
  5. Obsess over the novel again and try to figure out when the best time will be to take a pee break.
  6. Get really uppity with people excited about The Hobbit – I WAS THERE IN ’01! Realize you are an asshole. Quit it.
  7. Get side-tracked on the Smaug-Cumberbatch/Bilbo-Watkins Tumblr tag.
  8. Totally forget Evangeline Lily is in the film. (Probably not. Probably the next one) Remember suddenly while walking down the street. Realize, you are totally OK with Middle Earth getting more bad-ass lady residents. Be at peace.
  9. THERE ARE THREE MOVIES FOR THE HOBBIT? THE HOBBIT IS 200 PAGES LONG. YOU WOULDN’T GET ENOUGH POINTS TO QUALIFY FOR A SLICE OF PIZZA IN AN ELEMENTARY SCHOOL READ-A-THON! HOW CAN THERE BE THREE FILMS?
  10.  Party Time
  11. Secret Step: Get your replica of The Ring of Power out of your jewelry box. Polish it. Love it. Post a picture on face book that instantly convinces your mother you got secretly married. (Obv. To Sauron.) Never let anyone handle your replica. Or touch it. Or do anything with it because it is MINE. MY OWN. MY….. PRECIOUS.

Elena-

My preparations were slightly different. I spent the week leading up to the film:

  1. Resisting the urge to reread the book at the eleventh hour (I haven’t read it since college, AKA closer to a decade than a year ago at this point), because rereading the book JUST before seeing the film never goes well for me. I like to take a film on its own terms.
  2. Laying out my Randy Thrandy power tee for the viewing. Blessing Rachel for giving me an easier alternative than actual cosplay to wear.
  3. Brushing up on my Sindarin so I won’t have to read the translation of every word King Thranduil the Beautiful whispers sweetly to me in Elvish. This way I will know that, whatever the words on the screen are, what he is really saying is “Come to me, Starfire Brightmaiden” (this is my Elvish name. Don’t question it.)….
  4. Illegally downloading the soundtrack to the cartoon version because, seriously, WTF iTunes, WHERE IS IT?
  5. Wondering how the hell there will be a third movie if they get all the way to Mirkwood in this one. Deciding I don’t care because it just means I get to see Thranduil sooner.
  6. Taking Rachel’s advice and falling down the rabbit-hole of Tumblr tags into the Wonderland that is the (Party) King of the Wood Elves as seen through the internet.
  7. Going from resigned that the film is actually going to exist to “epitomizing Beatles meets Tolkien” in 60 minutes flat (it’s all Lee Pace’s fault. He shouldn’t be so awesome).

I did not expect to get excited about this film. I grew less enamored of LOTR as the trilogy went on and as I have revisited it in the decade since.  I was enthused about a Del Toro version (thinking of Pan’s Labyrinth Del Toro, let me be clear) and sort of resigned to a PJ version that would be pretty much exactly like LOTR, except based on the book that meant just a little more to me than even the trilogy did.

But I broke down at the end and got really pumped about this movie in the last week before it came out.  Thanks entirely to the fandom and the ridiculousness that is Tumblr and meme-generator and all of it.  And even though the film wasn’t, for me, as fun as the excitement, I am still so happy I got that week of pure anticipatory pleasure.  A very sincere thank you to all the people who wrote crazy shit about Thranduil on the interwebs.  And Lee Pace, for existing and taking this role and putting up with having his face associated with Dwarf Racist Party Time Thrandy Who Sparkles and Carries a Wine Scepter While Riding a Moose.  Y’all are all awesome and I love you for it.

So.  About the film…

Reaction

Elena-

Yeaaahhhh…about the film.  I…didn’t hate it?  In fact I even kind of liked it, despite myself, because it’s the fucking Hobbit and that’s the first non-toddler book that was ever read to me and it will always have first place in my heart and this was a pretty faithful adaptation of the book onto the screen and so I couldn’t entirely dislike it even though I feel that, objectively speaking, it wasn’t great.

I wrote a really long and really boring diatribe about what I didn’t like about this movie.  Bored the shit out of Rachel and made her threaten to disown me.  (Ha! She’d cry for days if we didn’t speak again.  Wait.  This is Darth Rachel. She doesn’t cry about things. She’d just send her pet dragon to eradicate all traces of me from the Earth so she would not have to be sad, because how can one mourn what never existed?  I guess it’s a good thing I have had a few days to let my criticisms simmer down to small but potent matter.)  I am not going to run that first version of this review.  It was long.  And boring.  And, most importantly, pretty inarticulate because it still didn’t say quite what I wanted it to say.

Here’s what I want to say, verbatim from an IM with Rachel.

Elena: my take on this movie, my problem but why i understand the people who love it for this reason, is that he made a film for the fans and not for the sake of making an objectively good film

different goals drive different executions

i think he met his goal

i wanted the other goal

the end

Rachel: ah. yea.. i’m a fan. so. yay.

Elena-

The Hobbit isn’t bad.  Not bad bad (shut up, Tom Hardy as Bronson, you weren’t even in this movie! Although you would have made an excellent addition to the Hot Dwarves ’13 calendar…).  For the average movie-goer it’s going to be a lot of fun, nothing to complain about in terms of structure, acting, effects, etc.  It’s a pretty faithful rendering of the book to the screen, if with a ton of added stuff that was going on in the background that you don’t learn about in the book but later, when you read LOTR (or even later, when you read the appendices of LOTR).

And while I guess a big studio film that is true to the book is better than a big studio film that isn’t, I find I’ve become a little bit of a film snob in the last 10 years, and it’s really hard for me to actually like a movie that I don’t find amazing as a piece of cinema.  Again, it wasn’t bad.  It just wasn’t…art.  PJ is not Paul Thomas Anderson or Tomas Alfredson or Terrence Malick. He makes solid films in a predictably cinematic way, corrals large casts and big budgets with confidence, and puts together inoffensively easy to watch movies.  Fine.  For me to thoroughly love a movie I need more.  This was a B movie for me because the style of moviemaking was just solidly there, not something deep and profound on a cinematic level.

Also, I got bored in places.  I will freely admit I get bored watching the extended editions of LOTR.  They are too long.  This felt like PJ  just went for it and put the extended edition out in theaters (hence the third film).  So for me it was 5-10% too long across the whole movie.  I was ready to get to the point and move on about 2 minutes before that happened in almost every scene.

While I enjoyed the back-stage (versus what we see in the book) story, I felt like the movie swings between two extremes, the cartoonish Radagast and the full-on Nazgul darkness of LOTR, and the two do not work as being part of the same film.  I think there are ways to include Radagast and make him weird and eccentric without making him Looney Toons manic.

Finally, my biggest issue, was the high frame rate.  It. Looked.  Terrible.  Maybe the opening scenes in Bilbo’s hobbit-hole and the Hobbiton set looked good with it, sharper and clearer than they otherwise would have, but the rest of the time the movie looked like a soap opera daydream of a fantasy adventure.  I can’t watch movies on TVs that have the soap operatic effect (it’s a real thing, Google it), and this whole thing was intentionally filmed that way?  I wanted to see it thinking maybe intentionally filming it at that speed would make it better.  Nooope.  Call me a luddite, but I’ll take the speed of real film to my dying day.  I feel like everyone’s afraid to call the film out on this because it’s new tech, ooh, isn’t it shiny and special?, but I am not afraid to call bullshit.  THE EMPEROR HAS LOST HIS PANTS.  I REPEAT, THE EMPEROR IS NOT WEARING CLOTHES.  High frame rate sucks.  Also so does 3D.  Let’s get the fuck over that trend already, too. The end.

There were things I liked.  I appreciated the faithfulness to the book story. I enjoyed seeing the additions played out on center stage instead of discussed in the abstract of history.  The Gollum scene was everything I could have hoped for.  Best section of the movie, by far.  The dollar per second of Thranduil was worth the cost of admission just by itself.

Basically, what I’m saying is, I was disappointed with this film aesthetically but was still somehow okay with it because in the end it is The Hobbit and at least PJ didn’t ruin the story by changing it and Lee Pace is awesome and he rode a fucking moose and was pretty and vaguely sad like Elves always are and I think he must have muttered some Elvish spell under his breath because, swoon, and in the next one I get to see him drink wine and curse dwarves and talk about dungeons and I would totally be okay with getting thrown in his dungeon because it will be like Fifty Shades of Green with Randy Thrandy the Elvish Party King and ohmygoddidIjustsaythatoutloudI’mgoingtostopnow.

Rachel-

I’m a hater. I’m a hater who decided prior to seeing The Hobbit that I was going to hate it because three movies was unjustifiable and the new cameras were a gag.

I was wrong. I loved it. Elena is dumb.

I’ve seen it twice. Once in regular 24 fps 3D and once in the Director-intended 48 fps 3D. It’s much better (at least in 3D) in the high frame rate. So shoot me. The high frame rate rendered the 3D clearer (3D sucks, but if I have to watch it, this might be the best way). Any discomfort or weirdness was gone by the time Frodo (haha, his FACE) ran off to the East Farthing Wood.
Also, after seeing the first part of this trilogy, I kind of hate myself for ever doubting that PJ would approach the story from the same place of respect and love that he did for LOTR. Only a man truly in sync with the subject matter would give us Party Time Thrandy on a giant Elk going “is…is that…DWARF waving at me? Gross!” and rabbit sleds with the 7th Doctor and a complete tour of Bag End, and SEXY DWARVES (Looking at you Fili and STOPPITKILI and Thorin and you, too, Bofur. You minx. Call me.)

I’m a fan, I will take all of the Middle Earth that PJ presents to me. If Radagast wasn’t explicitly needed for the plot I’m sure glad I got to see him! Saruman muttering about mushrooms and Galadriel on a turn table is just what I needed to help me through my continuing affliction: Missing Tom Bombadil Disorder. (Sometimes, when it’s quiet, I sing his songs to myself while weeping. Bright blue his jacket is/And his boots are *sob* yellloooow.)

When it comes down to it…The Hobbit itself wasn’t necessary. We know how the story ends. LOTR was already made. Already successful. If an unnecessary (and… let’s face it, all book adaptations are unnecessary because THE BOOKS EXIST) film was made because a fan wanted to make it and fans want to watch it, then well you’re just kind of a jerk for bitching about 20 extra minutes of run time than you’re used to or the fact that PJ can’t go back in time and make six LOTR movies.

You also can’t complain about the rabbit sled…BECAUSE IT WAS AWESOME. OK, ELENA? You can’t hate on a movie because it “panders” to the fans. Joe on the street wants to randomly see a fantasy movie, fine. He’s not going to see a bad movie if he sits down in front of The Hobbit. He’s not. It’s not a bad movie. Just because you watched a film that did not instantly become your most favorite movie ever doesn’t mean it’s bad. We have SEEN bad movies, and this is not one of them.

You probably like that crazy Russian adaptation of The Hobbit don’t you? DON’T YOU? In this instance, you are Radagast knocking back a bunch of mushrooms and I am Saruman muttering in the corner about how much you piss me off. (No, I’m sorry, I luff you. Don’t leave me.)

Elena-

Mushrooms would probably have improved my experience.  Actually I feel like I just took some after watching that…I don’t even know what to call that.  Is it a movie?  Is it a play?  Is it just a bad dream?  What have you put in my brain you awful child?  (Never stop putting the craziest shit you can find in my brain, I luff you, too!)

Rachel-

Gollum looked absolutely incredible and uncannily like Anthony Serkis. Bravo, guys. That technology has certainly come a long way. So has the Goblin King’s goiter. HA. KILL HIM. Herding 14 and 15 people per shot with all those dwarves must have been exhausting for PJ, but it wasn’t exhausting to watch. In fact, I kind of give more of a crap about the dwarves now since PJ spent the time to show us their backstory. I know who else’s back I’d like to make stories on…wait. No. Where am I?

The only thing this film needed was more Mirkwood. More Elk-riding, party having, douche bag elves, please. I assume this will be the title of Part II.  I can’t wait to hang out with some of Middle Earth’s biggest douchebags (waves at Legolas. I will always fancy you, baby) and see a Mother. Fucking. Dragon. I will take three movies over two any day as long as PJ fills them with rock smashing giants, muttering crotchedy wizards, fuck twat elves, and sexy…sexy…sexxxxy dwarves.

Elena-

What this film needs…is more Mirkwood.  I’ve got a fever, and the only prescription is, More Mirkwood.

BRING ON PART 2!  The Hobbit: A Perilous Detour Through the Greenwood. Starring Lee “I’m Not Gratuitous This Time!” Pace as Thranduil, King of the Wood Elves.

“Lee Pace is a god amongst men.” “The best 10 seconds a man has ever given me.” – Reuters

I’m serious.  Bring it.  I wants it…I wants it, precious.  It will be my birthday present.  My…precious….

Constantin Films to Adapt Sci-Fi Novel Unwind

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It was announced yesterday that Constantin Films has acquired the film rights to the bestselling Neal Shusterman sic-fi novel, “Unwind.”

The novel was originally published in 2007 by Simon & Schuster Books for Young Readers, “Unwind” is described as a thought-provoking tale that blurs the line between life and death while challenging ideas about what it means to be alive. “Unwind” is set in a dystopian future in which parents of teens can choose to have their child “unwound” — a process in which the teen’s organs are transplanted into different donors.

Robert Kulzer, co-prexy of Constantin Film in Los Angeles, brought the project to the company and will serve as producer on “Unwind” alongside Marc Benardout, Catherine Kimmel, Julian Stone and Charlotte Stoudt, who will produce for Stay Whole Prods. Constantin board member Martin Moszkowicz, who is responsible for film and TV, will exec produce.

Kulzer and Moszkowicz are also producing and exec producing, respectively, Constantin’s adaptation of “The Mortal Instruments: City of Bones,” which Screen Gems will release next summer.

Shusterman is the author of many young adult novels, including the recently published sequel to “Unwind,” entitled “Unwholly,” as well as “The Skinjacker Trilogy” and “Downsiders.” Shusterman also writes scripts for film and television, including shows such as “Animorphs” and “Goosebumps.” He’s currently working on the third book in the “Unwind” trilogy. Shusterman is repped by APA and Underground.

 

Angelina Jolie Will Direct Unbroken Adaptation

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It was announced this week by Universal Pictures and Walden Media that actress turned director and producer Angelina Jolie is in talks to direct an upcoming big screen adaption of the New York Times bestselling novel “Unbroken: A World War II Story of Survival, Resilience, and Redemption” by Laura Hillenbrand (“Seabiscuit: An American Legend”).

The novel was originally published in 2012 and follows  the incredible life story of Olympian and war hero Louis Zamperini who, along with two other crewmen, survived in a raft for 47 days after a near-fatal plane crash in WWII only to be caught by the Japanese Navy and sent to a prisoner of war camp. The book has sat atop the New York Timesbestseller list for more than 108 consecutive weeks, fourteen of those at number one. It was also the winner of the Los Angeles Times Book of the Year Award for Nonfiction.

“In her life and in her work, Angelina has embraced stories and causes involving great struggle and triumph over tremendous odds and the basic human condition,” said Adam Fogelson and Co-Chairman Donna Langley. “She has a real ability to illustrate the strength in human spirit which will be essential in telling Lou’s story of survival and great heroism.”

Walden Media Chief Executive Officer, Michael Bostick echoed their sentiment and said,

“We’re thrilled that Angelina will bring this epic story to the big screen. Lou’s is one of history’s most incredible and inspiring stories, and we are excited to partner with such a passionate filmmaker to share it with audiences all over the world.”

Unbroken will mark Jolie’s second time as director and producer following her critically acclaimed directorial debut in 2011’s In the Land of Blood and Honey, and her first time directing a major studio film.

“I read Laura Hillenbrand’s brilliant book, and I was so moved by Louie Zamperini’s heroic story, I immediately began to fight for the opportunity to make this film,” said Jolie. “Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.”

Unbroken is being co-financed and co-produced by Universal and Walden Media. There is no word yet on who is expected to star in the adaptation or a projected release date.