Category Archives: Movie Adaptations

A Look at the Extended John Carter Super Bowl Spot

 

The Super Bowl; which features two teams of athletic and over muscular men battling one another in an arena; helped Walt Disney Pictures debut a new spot for the upcoming John Carter movie. While there are parallels to draw from this, there are instead more braincells to kill with visual explosions by watching the new trailer below.

Having covered some of the John Carter media push, I’ve had this to say.

“Almost a hundred years in the making, the theatrical adaptation of Edgar Rice Burroughs classic sci-fi novel is due to hit theaters March 9. Originally penned by Burroughs in 1913; when the public obsessed over the planet mars as if it were a sparkling bloodsucker and many pieces of fiction churned out as much life on mars paraphernalia as possible; the Barsoom series which it was originally called, has been retold and remade many times over.”

“The movie version which is directed by Academy Award winning filmmaker Andrew Stanton is still a Walt Disney Pictures venture and will abide by the very safe standards set by Princesses Jasmine and Ariel. The film will feature a cast starring Taylor Kitsch as John Carter, Willem Dafoe as Tars Tarkas and Lynn Collins as the Princess Dejah Thoris.”

Lynn Collins as the Princess Dejah Thoris

The movie which will open in 3D, 2D and IMAX 3D on March 9 had it’s trailer extended, featuring a montage of superhuman on alien violence, mosaic use of imagery to dull my short attention span and a heart felt inspirational speech made to the alien equivalent of medieval Scots a la Braveheart; I swear I saw blue face paint on John Carter’s face during that speech!

 “Carter finds himself dragged into another war zone, only to discover that as the alien from another planet; Earth; he has superpowers here on Mars. The power set is thanks to the 62% less gravity that he’s used to; pretend that you’ve had weights and restraints you’ve been wearing all your life taken off. We’d get to keep our milk money for once.”

Upon examination, it’s wasn’t paint, it was blue colored blood from a xenomorph Carter probably killed in the arena. Aside from comparing scenes to Braveheart 1995, the plot begins to sound more like Avatar. So like Avatar, a wounded military officer; haunted instead of maimed; goes to an alien planet, befriends the natives of the land, then leads the natives to battle for their freedom while rediscovering himself.

So this begins to make me think of this as a koan. Which came first? I know that Warlord of Mars, the novel that John Carter is adapted from that was written nearly a hundred years ago. I also know that the film adaptation does not reflect the whole Barsoom series, so it must have been condensed or adapted so the story will fit modern day attention spans and big screen releases. I also know that Avatar was released in 2009 but essentially mimics the novel. So who copied who? Was it Avatar that drew from the 100 year old novel, or was it John Carter the movie that drew from Avatar?

John Carter: Extended Super Bowl Ad:

Bite Sized Ghost Rider Spirit of Vengeance Trailers

Three more TV spots for Colombia Picture’s Ghost Rider: Spirit of Vengeance aired; one which aired during the pre-game show for the Super Bowl. Each spot was a mini copy of the official trailer using slightly different imagery or audio.

Come February 17, Nicolas Cage will once again hit the big screen as Johnny Blaze. This, “Gritty” new vision for the character will show Blaze struggling with his inner demons. As the flaming skull superhero for the movie adaptation, the Ghost Rider’s purpose on the mortal realm will be to act as the Devil’s bounty hunter. Directed by Mark Neveldine and Bryan Taylor; Chev-Chelly-Crank-Os; the Ghost Rider will risk everything to save a young boy from the devil; who’s trying to take human form; and hopefully rid himself of his curse forever.

The movie trailers have shown more bubbling and boiling of tar like leather and flaming pee. Hoping to out-do; or even distance themselves from; the 2003 movie of Ghost Rider, it appears that touting the franchise as dark and gritty is the sell point. Is this admission that the previous movie was fun and campy? I’m still trying to get over the poor man’s Batman known as the Daredevil. His superpower was to be able to see; the better to sue you; but I’m still trying to unsee the movie version.

In the past, I’ve created a running theory on how to determine if a Nicholas Cage movie will be good or not. Originally the theory was that the longer the hair, the worse the movie, but as time progressed, the idea had to be adapted. Using simple observational skills, I’ve postulated that the better groomed or kept Cage’s hair is, the better the movie. The wilder or worse the hair, the worse the movie will be.

Nicholas Cage's hair: Short and Neat

Cage; who seems to be accepting any script that comes his way; nearly destroys my theory by making me question which hair I’m suppose to be observing. The hair for Johnny Blaze, or the flaming hairless skull that is the Ghost Rider. In the trailers I’ve seen, Johnny Blaze’s hair is all over the place. While the CGI Ghost Rider is on fire; which is wild and out of control. So both do not meet the prerequisite for being well groomed. Ergo, the movie should flop.

This isn’t the first time that we’ve seen a reworking or reboot of a marvel film superhero flop. At the zenith of the Spider-man franchise popularity, superhero movies were being cranked out as fast as they could film them. Some of them were not so good and fans were not forgiving. So after assessing the damages done, some movies were either redone or a sequel was reworked. The Incredible Hulk (2008) smashed the Hulk (2003) as a sequel. The Punisher (2004) was replaced with Punisher: War Zone (2008). While some movies like Electra were so bad that they were forced from the collective consciousness a la Highlander II; not even the sequels acknowledge it’s existence.

Long and Crazy

Also, if there’s a superhero who’s the Spirit of Vengeance, that would be Detective Comic’s Spectre; the actual wrath of God, not the devil’s errand boy that Marvel has.

Check out some of the Ghost Rider Spirit of Vengence TV spots below:

Romeo and Juliet Principal Photography Begins

Nadja Swarovski of Swarovski Entertainment, Ileen Maisel of Amber Entertainment UK and Echo Lake Entertainment announced today that the principal photography (the actual filming) has actually started on award winning director Carlo Carlei’s Romeo and Juliet.

Swarovski Entertainment and Echo Lake Entertainment are co-producing and co-financing the film. The movie which is being filmed in Italy was adapted by Julian Fellowes to produce a love story based on Shakespeare’s opus for a new generation. The last modernized version was released in 1996 that involved recreational drugs, guns and lavish parties.

If the new adaptation is to be modernized for the current generation I can almost picture it being reduced to a sexting exchange.

JuliDiva96: ohhai romeo

JuliDiva96: r u there romeo?

JuliDiva96: **Buzz**

SkRilleo: omg ur needy

SkRilleo: go away am busy

JuliDiva96: wanna come over and do stuffs? <3

SkRilleo: YES! >:)

@SkRilleo “Gonna put on a thinking Capulet lol. Post pics in a bit.”

TyBOLT @SkRilleo “c u soon” #montaguesmackdown #war

 

Fellowes had this to say about love in the movie.

 “Every generation is interested in love, I mean, there is something about young love that is heartbreaking, and I think every teenager in the world would agree. All of that is very powerful. The point about teenage love is it’s before cynicism comes in to reshape one’s attitudes. You love when you’re young in a way that you’ll probably never love again.”

 

Oscar nominee Hailee Steinfeld of True Grit fame, will play the Juliet next to Douglas Booth; known from his role in Great Expectations; as Romeo.

The star-crossed lovers will be joined by a star studded cast including Damian Lewis, from the show “Homeland”; as Lord Capulet. Natascha McElhone known for the show “Californication” as Lady Capulet. Lesley Manville from Another Year will play Shakespeare comedy relief as the Nurse. You will also see Ed Westwick most known for Gossip Girl; as the hater, Tybalt.

The line up for the rival house of Montague will consist of Tomas Arana as Lord Montague, Laura Morante as Lady Montague and Kodi Smit-McPhee from Let Me In; as Benvolio.

Other actors will include Christian Cooke who played in Cemetery Junction; as the best character of the story, Mercutio, Paul Giamatti from Sideways as Friar Laurence, Tom Wisdom who played in 300 as Count Paris, Leon Vitali known for his role in Eyes Wide Shut as the poisonous Apothecary and Stellan Skarsgard, the one from The Girl With The Dragon Tattoo, not “True Blood” (Editor’s note, this movie might better if it DID feature the very hot guy from “True Blood” instead); as Prince Escalus of Veronia.

With this lineup all I can think is how inadequate; or nonexistent; my abs are.

Ileen Maisel from Amber Entertainment had this to say about the movie.

 “We are thrilled to be bringing this story to life with a vibrant new cast,” commented Amber Entertainment’s Ileen Maisel. “The support of Swarovski Entertainment has helped us to re-conceive this story for a new generation. As Shakespeare once said, “one man in his life plays many parts,” and we are honored to partner with Swarovski as they take on yet another role and make their first foray into motion picture production.”

Nadja Swarovski, Chairman of Swarovski Entertainment Ltf and Executive Producer had the following to say.

 “Swarovski’s move into film production is a natural evolution for us. We have worked with creative talents in costume and set design ever since the emergence of the silver screen, and we are committed to supporting creativity across industries such as fashion, jewellery, design, and film. Romeo and Juliet felt like the perfect project to deepen that involvement and collaborate with established visionaries like Ileen and Julian but also support today’s emerging talent. The young stars have a chemistry that translates beautifully onto the big screen and will captivate audiences around the world for years to come.”

The three time Oscar-winning costume designer, Milena Canonero, will serve as co-producer. Canonero will be involved in all visual aspects of the movie. This means she’ll have input in everything from wardrobe, hair and make-up to the art department. Peter Honess; LA Confidential; will serve as editor and David Tattersall; Star Wars; as cinematographer in this production.

Upcoming Adaptations for February 2012

February is definitely a slow month for the book adaptation world. But that doesn’t mean there aren’t any. It seems like everywhere you look a new book is being remade into a movie (or a show) and you might not always hear about them, even the good ones. So because every month there are new and exciting remakes of books into movies and television, we will try to keep you updated.

You can see their release dates for all the new upcoming remakes for February 2012.

 

February 3rd

The Woman in Black

Starring:

Daniel Radcliffe, Ciaran Hinds, Liz White, Janet McTeer, Alisa Khazanova

It follows a smart young lawyer named Arthur Kipps who must travel to a remote and slightly deserted village and handle a deceased clients papers and files. However, as he toils over the work, he begins to unravel tragic secrets of the village and the client. This is accompanied by a mysteriously woman in black who he glimpses more and more. When he questions the locals he gets no answers. He is forced to set out on his own to figure out the true identity of the woman and stop her from her true intent.

Based on the novel of the same name by Susan Hill.

Big Miracle

Starring:

John Krasinski, Drew Barrymore, Kristen Bell.

Inspired by the true story that captured the hearts of people across the world, the rescue adventure ‘Big Miracle’ tells the amazing tale of a small town news reporter (John Krasinski) and a Greenpeace volunteer (Drew Barrymore) who are joined by rival world superpowers to save a family of majestic gray whales trapped by rapidly forming ice in the Arctic Circle.

Based on the 1989 book Freeing the Whales by Tom Rose

 

February 17th

Ghost Rider: Spirit of Vengeance

Starring:

Nicolas Cage, Johnny Whitworth, Fergus Riordan, Ciaran Hinds, Violante Placido, Idris Elba, Christopher Lambert

Johnny is still struggling with his curse as the devil’s bounty hunter – but he may risk everything as he teams up with the leader of a group of rebel monks to save a young boy from the devil… and possibly rid himself of his curse forever.

Based on the Marvel Comics antihero Ghost Rider.

The Secret World of Arrietty

A 2010 Japanese animated fantasy film based on Mary Norton’s juvenile fantasy novel The Borrowers. The film was directed by Hiromasa Yonebayashi, was written by Hayao Miyazaki and Keiko Niwa, and stars the voices of Mirai Shida as the titular character, Ryunosuke Kamiki as Sho, and Tatsuya Fujiwara as Spiller. The film tells the story of Arrietty, a young Borrower who lives under the floorboards of a typical household. She eventually befriends Sho, a human boy with a heart condition since birth who is living with his great aunt Sadako. When Sadako’s maid Haru becomes suspicious of the floorboard’s disturbance, Arrietty and her family must escape detection, even if it means leaving their beloved home.

 

Viola Davis Joins the ‘Jeesh’ in Ender’s Game

It’s pronounced jay-eesh and it means army, allies and friends. If you don’t have one, then you won’t be surviving battle school. Welcome to Ender’s Game. Based on the novel of the same name by Orson Scott Card, Ender’s Game is a science-fiction masterpiece where children are pitted against one another to save the human race from extinction.

Viola Davis, an Oscar nominee for her role in The Help; A movie that’s already won three Screen Actor Guild Awards; has signed up for two movies, both which are novel-to-screen adaptations. Davis will be playing the lead in the supernatural thriller Beautiful Creatures and a supporting role in Ender’s Game reports Variety.

In Ender’s Game, the role Davis will be playing is that of a military psychologist, probably one of the many to monitor the mental stability of each student at the battle school; notice I said stability, not health or well being. The children of this story are continuously pitted against one another in mock battles that take place in their orbiting space station, all in preparations for an alien invasion that may wipe out all of humanity.

Davis will be joining a growing a cast of stars including Harrision Ford, Ben Kingsley, Hailee Steinfeld, Abigail Breslin and many more. The movie; which would do well to draw from the Marvel comic book adaptation due to length; is to be directed by Gavin Hood; X-Men Origins: Wolverine; and is set in Earth’s future, telling a story of a young boy Andrew “Ender” Wiggin that will be played by Asa Butterfield. Production is gearing up now in New Orleans, aiming for a March 15, 2013 release.

Andrew Wiggin is the third child of a family in a world that only allows two per household. Specially licensed to exist, Ender; a nickname which he has grown to think of himself as; is sent to Battle School. This isn’t some school for the magically gifted, those with mutant genes or other special powers. This school isn’t for just the smart either, nerds who spend their time with their heads buried in books, studying furiously. This school is for the brightest geniuses on Earth who have the character traits to lead and to win.

In the book series of Ender’s Game, after the main plot is satisfied, Ender and his Army is divided and sent their separate ways. As they have saved humanity and hold an undefeated battle record; longest run ever in the history of the school; each member of Ender’s army is sought after by each sovereign nation of Earth to lead their armies; or assassinated by the competition. Even if they were just supporting members of the army, they were heralded as saviors.

This is how well I think the cast members of The Help are doing right now. The popularity in the media is so high that each movie in pre-production is trying to get their piece of a winning army.

Orsen Well Card really was a prophet, envisioning such a dystopian future. “Human beings are free except when humanity needs them.”

5 Reasons That Woman In Black Is Scary As Hell

On opening weekend, I went with my boyfriend to see the film, Woman in Black starring Daniel Radcliffe. The movie is based on the novel of the same name written by Susan Hill. After watching the incredibly creepy trailers and covering it over here at Optionated, I really really wanted to see this movie. Watching scary movies is one of my favorite past-times and as scary as the movie looked from the previews, I knew I had to see it in theaters and not just 3 months from now in my apartment (which by the way, I am about 84% sure is haunted).

Overall, this was a pretty scary movie. I definitely did not disappoint. So here are the 5 reasons that Woman in Black was scary as hell.

:::::Warning there are some mild spoilers ahead::::

1. Creepy Kids

I have a pretty irrational fear of children, in most respects. They are tiny, with big eyes and a unique position to be taken over by ghosts (I.E. Poltergeist, Insidious, really any supernatural horror movie at some point during the plot.) So generally children in horror films, freak me out. this movie had an abundance of dead ghost children. Not to mention a dead muddy children rising from the marshes only to sneak into the house and finds its way to his bedroom to be even creepier there. One of the weirdest things about the children was the soulless look on their faces as they walked (or jumped, or burned, or drank lye) to their death. It was incredibly unsettling.

The unsettling stare of death in a child…. shiver.

Towards the end of the film, we got some great glimpses of all of the towns dead children just chillin’ following Arthur Kipps around, which would throughly freak me out if I was him. (Personally, At the first site of the titular woman’s eye in that spinning thing would have sent me running home).

2. Creepy Toys

This is a big one. Whoever the prop team was, did a freaking fantastic job making the house this film takes place in creepy. I don’t know why old toys always look weird and unsettling. I mean I can’t think of a better adjective than creepy for the toys that were prevalent during this time period. And whoever found (or made) the toys for this movie found he creepiest ones of all. From the oddly painted clowns to the dolls with teeth appearing to be filed down to look like a mouth full of fangs (and we can’t forget the incredibly racist african monkey toys).

All the toys in the movie were downright disconcerting. It made me wonder who the hell would play with these as a child and NOT get nightmares from the very sight of them?

Seriously… So weird.

It also didn’t help that they toys in the film would inexplicably move on their own and start moving. The cat playing the violin becoming sinister looking, the jovial clowns beating on their drums were all together terrifying. Even the racist african toys move and play on their own to create their own horrifying backdrop for a ghostly encounter.

3. Creepy Scream 

The titular Woman in Black was pretty scary. I will definitely admit that. Whoever did her makeup to look all dead and cracked and decaying did a phenomenal job. But it wasn’t her far that sent shivers down my spine, no it was her scream. As the film got going, and she wasn’t just a woman standing around, but now a thoroughly pissed off woman, she did this piercing scream that can only be described as a scream of death (pretty similar to a banshee the more I think about it).

Often it was almost complete silence when she let out her impish shriek of impending doom, which added to the terror affect. However, while it was scary (and I kept expecting it to occur in my apartment in the dark while I slept) it was more of a shock terror as opposed to an actual unsettling moment like other parts of the film.

 4. What You Don’t See Can Get You

There were several parts where the audience could only see something briefly, or barely. This technique is great because at the beginning you don’t really know who she is, what she wants, or where she is headed and that in itself is pretty scary. (This one of the reasons I love the Paranormal Activity series). This film really utilizes the “what you can’t see is what will get you” idea. Whether it is a wisp of black in a mirror during an uneventful scene, or an empty rocking chair that won’t stop rocking, I found myself clenching tightly in anticipation of what as about to happen, more so then what did happen (or in some cases didn’t happen). There was one scene where we see the woman heading for a sleeping Arthur but we don’t  see her so much as see darkness heading for him. She gets so close she can almost touch him before he wakes up and she is gone. But that tense scene doesn’t even feature a fully visible woman to scare, just the idea that she is heading his way while he is vulnerable.

She is barely visible in this scene but it was still terrifying. 

The great thing about this film was that, the filmmakers (and original story) didn’t have to rely on gore or cheesy setups to get scares out of the audience. It used a minimalist type of filmmaking for most of the first half and followed it up with the action shock scenes to bring the thrill home.

5. Darkness

I touched on this briefly in the section above, but the use of darkness in this film definitely added to its frightening moments. Having the character surrounded by darkness is always a goo technique because it forces the audience to feel the disorienting emotions of the scene right along with the character. This whole movie (almost) is shot in a dark house. Before the days of electricity. Yes, he lights like a million candles but those only give off light in like a 5 foot radius. Most scenes that takes place in the house are well lit in the front wherever the character is but the darkening background houses no light and no salvation (and often the woman just chillaxing watching Arthur in a slightly voyeur type of way.)

This scene is super dark, it is hard to tell what anything is other than himself.

Other than the darkly lit world this film takes place in, the film also uses darkness in another way. Obviously in portraying the woman in black. She is always in black and she is often just scene surrounded in by darkness. She also makes herself known to the audience by either just being a blur of black or a by blending into the shadows just to move and you realize she has been there the whole time. This is one of the best types of scares in the film. Where the audience and Arthur think they are safe or its an uneventful moment until you see a shift in the shadows behind him and realize that the woman has been watching him (and it kind of feels like she is watching you too) the whole time.

Over all this movie was pretty good. It definitely got some good jumps out of me (and my boyfriend). Even with the cheesy not book accurate ending, the movie still got a 4 out of 5 stars from me (this is partly due to the cutest dogs wearing sailor suits… seriously it was gold).

New Photos for Snow White and the Huntsman

More photos from the upcoming movie, Snow White and the Huntsman, were recently released online by Universal Pictures. This was done via the movie’s official Facebook page and I’m sure we’ll see more in the near future until the release date June 1st.

Cashing in on the likes of the largest market in the world with disposable income; nerds and 14 year old girls; more and more shows and movies have been focusing on fairy tales. This I believe is based on the popularity of a series of comics called Fables.

Fables started in 2002, published by DC Comic’s Vertigo. The series is about a number of characters from various fairy tales and folklore who have been forced out of their homelands by the great Adversary. The Fables; what they refer to themselves as; have traveled to the real world and formed a secret community in New York City known as Fabletown. I wonder if my attachment to these characters are how ancient Greek children viewed their gods. A collection of stories that are as flawed as we mortals are.

Looking towards the instant win section for comics, “Fables” and all the characters that are used in the story are part of public domain. So why wouldn’t the industry cash in?

Snow White and the Huntsman is another story that’s been adapted for the big screen based reworked fairy tales. Drawn from the tales by the Brothers Grimm, Snow White and the Huntsman adds to the long procession of movies or television shows aimed at children stories gone dark; which they really didn’t have to go any further than the original story, not rewriting them to be Twilighty. For example, in the original Snow White story, the evil queen dies dancing to death, forced to wear red hot iron shoes.

According to the official movie website, the story goes as follows.

 “In the epic action-adventure Snow White and the Huntsman, Kristen Stewart (Twilight) plays the only person in the land fairer than the evil queen (Oscar® winner Charlize Theron) who is out to destroy her. But what the wicked ruler never imagined is that the young woman threatening her reign has been training in the art of war with a huntsman (Chris Hemsworth, Thor) who was dispatched to kill her. Sam Claflin (Pirates of the Caribbean: On Stranger Tides) joins the cast as the prince long enchanted by Snow White’s beauty and power.

The breathtaking new vision of the legendary tale is from Joe Roth, the producer of Alice in Wonderland, producer Sam Mercer (The Sixth Sense) and acclaimed commercial director and state-of-the-art visualist Rupert Sanders.”

Yes, I get the portion where the megalomaniac decides to save on time and resources by outsourcing the labor to a source of cheap and skilled workers. What I don’t get is that in what world, real or fantasy is Kristen Stewart hotter than Charlize Theron? Considering that this is a fairy tale, it’s the least believable part.

As the incarnation of the Mirror said to the queen in the trailer, “You are fairest, but there is another destined to surpass you.” Meaning that Stewart is not the fairest yet. A bit of foreshadowing, especially if the Queen is killing anyone that looks remotely attractive, once Queeny bites the dust, Stewart will win by default; two of the sweetest words of the English language. Dee Fault!

So this isn’t going to be the last of reinterpreted children stories. What we’ll see instead are more and more until the next genre of “Whats in” kicks in.

Considering my bias towards actors in this movie, I think of a Fables storyline. Jack of Fables; all those stories about a guy named Jack are about him; breaks one of Fabletown’s oldest rules and gets into the entertainment industry. Jack creates a successful film trilogy about himself which he believes will make him nearly immortal; the theory in the comic is that the more popular a Fables’ story is, the stronger his power. So the inverse should be true. If a character story is not liked, forgotten or repeatedly killed, so should the subject become weaker or forgotten.

I’m rooting for the Witch on this one.

Check out the new photos below or at the official Facebook site http://www.facebook.com/snowwhiteandthehuntsman

 

 

 

The Amazing Spider-Man Website Gets Updated

The official website for the upcoming Spider-Man reboot has been updated with new wallpapers, avatars and character sheets courtesy of Columbia Pictures. We have included some of the new images and character sheets at the bottom! Continue reading

The Help Bags Three SAGs

The feature-film The Help took top honors at the Screen Actors Guild (SAG) Awards Sunday night. The civil rights drama took the awards for best cast, best actress and best supporting actress, making this movie a heavy contender to watch out for as the Oscars night approaches.

The Help, written by Kathryn Stockett, is the story of an aspiring author Skeeter Phelan, played by Emma Stone of Zombieland fame. Taking place in Jackson Mississippi during the civil rights movement of the 1960s, Phelan decides to write a book detailing the point of view of two African-American maids. The maids, Aibileen Clark and Minny Jackson; played by Viola Davis and Octavia Spencer respectively; tell Phelan about the white families for which they work, and the hardships they go through on a daily basis.

The book; and in turn the film; has ruffled many feathers due to the content reports Los Angeles CNN Entertainment. Before the movie had even been released there had been calls to boycott it. Some complaints are that the story encompasses the age-old Hollywood image of the “white savior” who helps a group of visible minorities who can’t help themselves. While the positive views see it as a touching and moving portrayal of friendship, integrity and triumph. Director and screenwriter Tate Taylor had this to say about the controversy “What I’ve discovered is that many people who (criticize The Help), usually about 80 percent, have not read the book, which I find a little frustrating,” Taylor, who adapted the novel has been a long time friend to the author and feels Stockett had a right to tell the story.

As a child, Stockett had a maid, Demetrie, who took care of her. Intrigued by the life of Demetrie, Stockett’s story was borne from a woman who had an impact on her life outside of the relationship of caregiver and child. As a nurturing figure in her life, Demetrie made Kathryn the woman she is today.

Taylor understands the criticism and complaints that have arose; due to past works of fiction; and encourages audiences to leave their judgment behind and keep an open mind when watching the film.

Despite the controversy over The Help its stars are in full support of the story and indicate that the main character Skeeter, is not the “great white hope” in the book or in the movie. The maids Aibileen and Minny are the ones in charge of their own lives and they are proactive in bringing change to the community. By allowing Skeeter into their lives they teach her; which in turn teaches Jackson Mississippi.

I’m sure the lesson was briefly learned in the 60’s, reserved for those that took the time to read the book and enjoyed reading. (Again, people have learned nothing. Nothing!) Meanwhile the story was lost on those drinking down at the bar.