Category Archives: Movie Adaptations

Safety Not Guaranteed – One of the Best Movies On Time Travel You Will Ever See

Safety-Not-Guaranteed-poster-slice

I know this movie is a bit of a stretch for this niche website. However, I think I can make it work. Check it: Safety Not Guaranteed is based on a classified ad that was run in a 1997 issue of “Backwoods Home Magazine.” Yes, the ad was initially a joke meant to fill the extra space, but it was printed and intrigued thousands of people. So it works, right? It’s settled.

Safety Not Guaranteed is not just a sci-fi film or just an indie film. It is a romance film, a science fiction film, and indie film, a comedy, and a drama all rolled into one beautiful package that I want to watch a million more times (and possibly have the scene where they are camping on loop, amiright?)

Initially, what first intrigued me to see this movie when it was announced last year was the actual ad it is based on.

The ad that is the basis for the film (which you can see below), reads,

“Wanted: Somebody to go back in time with me. This is not a joke. P.O. Box 91 Ocean View, WA 99393. You’ll get paid after we get back. Must bring your own weapons. Safety not guaranteed. I have only done this once before.”

thumbnail_6451

I mean who doesn’t love a good time travel movie? The ad is fascinating but doesn’t give away anything about the film. For a brief (spoiler free) synopsis we have two interns and a writer from a magazine in Seattle investigating the ad. Darius (played by Plaza) connects with the young man claiming time travel as they finish the machine and plan out their first mission together.

But what really sealed the deal for me was the cast. The film sports an indie cast that you can’t help but fall in love with. We have a main character played by Aubrey Plaza (“Parks and Recreation”), her colleague Jake Johnson (“New Girl”) and the self-proclaimed time traveller played Mark Duplass (“The League”).  If you haven’t watched these actor’s televisions shows, you are missing out. Each actor has their own personality that they infuse into the character without losing the essence of their character. Not once during the film was I seeing April from “Parks and Rec” or Nick from “New Girl.” Even Duplass was able to separate his Pete character from his role in this film.

safety not guaranteed trust

The time travel aspect of this film is approached perfectly. The film is mostly about the characters and their relationships with each other with this time machine concept sitting in the background. The science behind it is barely elaborated on (something with lasers and a boat is about all we get) while most of the movie is spent watching our two travellers prepare for their mission.

I also want to note that the film is gorgeous. The director, Colin Trevorrow, knew exactly what he wanted so the film was shot on the Sony F3 using old Panavision lenses, which gave the film a desired “Hal Ashby look.” The result is that the film utilizing a lot of flat colors and pale  tones that somehow add to the characters disillusioned state of mind.

Safety-Not-Guaranteed

:::: Spoilers Ahead ::::

Safety Not Guaranteed is one of those rare films that is able to capture that feeling that most of us just miss. The pain and isolation that comes with growing up, with evolving, with the always-scary idea of change. For Darius the isolation is self-imposed. After the death of her mother, which she believes was her fault, she is unable to connect with anyone, to let anyone in, or even let herself be happy. For Jeff we see him becoming disillusioned with love and relationships. Arnau, on the other hand, yearns for relationships with people but is so introversive that he can barely talk to anyone openly. All of us can identify with one of the three main characters. What is wonderful though, is that we get to see these characters move forward after so long of being stagnant in their lives. Darius finally opens up and Kenneth see the real her and even lets him in romantically. This fact is only intensified by the knowledge that she has never had a boyfriend or been with someone in such a way. Jeff attempts to find what he is missing in his life by revisiting his past, but not by time traveling. Instead he tracks down an old girlfriend in a misguided attempt to feel like young and innocent love he once experienced with her. Once she rejects him he realizes that he can never go back to being young again but he can also feel real love again. Arnau, with a little pushing from Jeff, is able to overcome his shyness to actually have a relationship with a woman (albeit is a one night stand, but it remains a huge step for the character.)

It is arguable that Kenneth is the only one who truly open and honest with himself even when others think he is weird or crazy. He is probably the most mentally healthy character in the film. Though his relationship with Belinda and the truth behind her is debatable and up to the viewer to decide.

Possibly the best part of the entire film is the ending. The whole movie you have this feeling of something building. Something small at first. You think it is the romantic feelings between Darius and Kenneth (which let’s face it, was fucking adorable and I just want to hug both of them). However, the moment comes when she finally boards the boat/time machine, this exact moment is what the entire film was leading. It is the moment Darius boards the machine and in an instant they are gone. It is such a powerful and astonishing moment that for a second you are left staring at the screen, speechless.

As one of my friends said when we were talking about the film, “I still get chills thinking of the ending.” Don’t we all…

New ULTRAMARINES WARHAMMER blu-ray featurette: “Creating the Daemon”

Title_Sequence_1566_5_7_800DPI

With the March 5th release of the Sci-Fi CGI animated film Ultramarines™ on Blu-ray™, DVD and digital download looming closer,  Anchor Bay Entertainment has released an exclusive featurette called “Creating the Daemon.” Continue reading

Bradley Cooper To Star In Dark Invasion Adaptation

 

Bradley-Cooper1-550x326

Warner Bros. recently acquired the film rights to the upcoming novel from Howard Blum entitled, “Dark Invasion.” The deal closed as a high six figure negotiation and is planned as a vehicle for star Oscar-nominated actor Bradley Cooper. The nonfiction book will be published by Crown/Random on 9/11/13. The date is significant, as the book is about what is considered the first attacks on U.S. soil since its formative years. Continue reading

Daniel Espinosa To Adapt John Grisham’s The Racketeer

978-0-385-53514-4

Fox 2000 and New Regency has announced their plans to develop a big screen adaptation of John Grisham’s latest novel, “The Racketeer.” Daniel Espinosa, known for his work on the film Safe House, is looking to direct the project.

The official plot description of the novel is as follows:

Given the importance of what they do, and the controversies that often surround them, and the violent people they sometimes confront, it is remarkable that in the history of this country only four active federal judges have been murdered. Judge Raymond Fawcett just became number five.

Who is the Racketeer? And what does he have to do with the judge’s untimely demise? His name, for the moment, is Malcolm Bannister. Job status? Former attorney. Current residence? The Federal Prison Camp near Frostburg, Maryland.

On paper, Malcolm’s situation isn’t looking too good these days, but he’s got an ace up his sleeve. He knows who killed Judge Fawcett, and he knows why. The judge’s body was found in his remote lakeside cabin. There was no forced entry, no struggle, just two dead bodies: Judge Fawcett and his young secretary. And one large, state-of-the-art, extremely secure safe, opened and emptied.

What was in the safe? The FBI would love to know. And Malcolm Bannister would love to tell them. But everything has a price—especially information as explosive as the sequence of events that led to Judge Fawcett’s death. And the Racketeer wasn’t born yesterday…

Michael Shamberg and Stacey Sher are attached to produce with Espinosa and Shelley Browning executive producing.

There is no word on a projected release date or who else will be working on the project.

Two Oliver Twist Adaptations Heading To The Big Screen In 2014

oliver-twist

In 2012 we had dueling Snow White film adaptations in the box office and now it appears that next year moviegoers will have two Oliver Twist films face off for their approval. It was announced today that Sony Pictures has acquired the rights to turn Ahmet Zappa’s conceptual reinterpration of Charles Dicken’s “Oliver Twist” into a feature film called Dodge & Twist. 

This particular adaptation will take place 20 years after the events of the original novel written by Charles Dickens. The project will follows Oliver Twist and the Artful Dodger as they are at odds with one another. Oliver, now a police officer, tries to prevent the Dodger from a plan to steal the Crown Jewels.

The screenplay is being provided by Cole Haddon, the creator of NBC’s upcoming “Dracula” series. Zappa and Matt Tolmach will produce the feature.

The announcement of Dodge & Twist comes off the heels of the news that CBS Films had acquired the rights to create a film adaptation called Olivia Twisted. Unlike Zappa’s adaptation, Olivia Twisted is being reimagined as a hyper-real, gothic city type tale with its primary focus being a young woman named Olivia. However, she isn’t an ordinary woman. Olivia is part of a highly trained gang of street kids ranging in age from 6 to 19 who work for a criminal named Fagin. When the gang takes on a kidnapping job, it lands in the middle of a turf war between the city’s two major kingpins.

There is no word yet on when each of these films is expected to hit theaters but it seems, similarly to the Snow White battle of 2012, they will release around the same time in the box office.

 

Weinstein Co. Options Vampire Academy’s “Blood Sisters” For Feature Film

vampireacademy1-550x440

Even though The Twilight Saga is finally finished, the vampire media trend is not quote ready to die. The Weinstein Company (TWC) announced that they have  acquired the U.S. distribution rights to “Blood Sisters.” The adaptation will be the first installment of feature film adaptations based on the “Vampire Academy” series of young adult books.

The feature film adaptation of of Blood Sisters is set to be directed by Mark Waters, who is most known for his work on Mean Girls and The Spiderwick Chronicles. Dan Waters will write the screenplay. The project is being produced by Don Murphy and Susan Montford of Angry Films, Michael Preger and Deepak Nayar of Kintop/Reliance. IM Global CEO Stuart Ford will executive produce.‪

It is based on the first book in the highly popular “Vampire Academy” series written by Richelle Mead. The book series has sold over 8 million copies in print across 35 countries. To date there are 6 books in the series, with the last 4 on the New York Times Best Sellers list.

The official plot description for Blood Sisters is as follows:

Rose Hathaway develops a mental and spiritual bond with her BVFF (best vampire friend forever) Princess Lissa. The two girls attend a strict school for vampires designed to retain their humanity where it is Rose’s task to protect the Princess. Among the everyday issues faced by teenage vampires Rose falls for Dimitri, their dreamy guardian, and together the three battle the mysterious forces of the evil Moroi who are set on destroying the Princess’s bloodline.‬

“I am thrilled to be working on the first feature for ‘Vampire Academy.’ This series is fantastic and I am excited to bring it to the screen for diehard fans and introduce the stories to a whole new audience,” said TWC Co-Chairman Harvey Weinstein.

The projected release date is set for February 14, 2014.

Legendary Plans The Esperanza Fire Adaptation

The-Esperanza-Fire-cover

John Mclean’s nonfiction novel, “The Esperanza Fire” has been acquired by Legendary Pictures to be adapted into a feature film. The novel is the true story of Raymond Oyler, the man charged with a devastating act of arson that caused a wildfire near Cabazon, California, west of Palm Springs, California.

The wildfire burned over 61 square miles (160 km²). Five firefighters were killed defending a vacant house locally known as the “Octagon” that was ultimately destroyed by the fire: Jason McKay, Jess McLean, Daniel Najera, Mark Loutzenhiser, and Pablo Cerda. In June 2009, Raymond Lee Oyler was sentenced to death for starting the fire.

The official plot description is as follows:

With a keen eye and ear for detail and raw emotion, Maclean dissects the tragic circumstances surrounding the deaths of five firefighters in 2006 after a wind-driven fire burned over their position on a ridge amidst a sea of chaparral and a few trees. Whether or not you’ve ever been on the front line of a wildfire, this book is a gut-wrenching, compelling narrative. It reads like a taut murder mystery, a whodunit novel you can’t put down, with a cast of fascinating characters that includes shady suspects, a dogged detective, DNA evidence, a divided jury, and the victims’ grieving family, friends, and colleagues.

The fire, started by an arsonist on October 26, 2006, burned about 42,000 acres and destroyed 34 houses. The arsonist was caught, tried, convicted, and sentenced to death. Maclean, a seasoned journalist with storytelling in his blood, spent six years piecing together the story of the crime. As for the deaths, he also answers the question, “Why?” as well it can be answered — Why did the crew of Engine 57 hold its position on that hilltop, with a fire driven by Santa Ana winds below them? And was anyone, other than Raymond Lee Oyler, the arsonist, ultimately responsible for the deaths?

Alex Hedlund is attached to oversee development on the film version. There is no word on who will be directing or starring in the project.

Jason Statham Is The Only Good Thing About Parker (And Maybe Daniel Bernhardt) – Review

Parker-Movie-Trailer

Directed by: Taylor Hackford

Adapted from: Flashfire by Donald E. Westlake

Why are you interested in this adaptation?

Elena-

Jason Statham.

Also because my choices were this or John Dies at the End, which I really want to read as a book first. And also because JDATE looks like it might be, you know, GOOD, and it’s been since Twilight Part Lee Pace Is Awesome that we had something to mock. So, you know, entirely too long.

And…Jason Statham.

Rachel-

So let me take you back to teenage me. She was a plucky sort. She spent long hours riding around in her friends’ cars (because she didn’t have her own) listening to movie soundtracks and eating Cheetoh’s and cookie dough while watching said movies. One of her favorite movies was Snatch. Which she could recite line by line. Much of that love was for the character Turkish. Which (1) led to eager consumption of all Guy Ritichie films and (2) also led Teen Rachel and her friends to watch every single Jason Statham movie that was ever released ever. (Transporter FOREVER!)  Also (3) to scour the internet for pictures from Statham’s Olympic diving days. (srsly)

Elena-

Wait.  He was making movies when we were in high school? HOW DID I NOT KNOW THIS?

Rachel-

Lockstock was 1998 and Snatch was 2000 and Transporter was 2002. (Waits while readers attempt to figure out how old I am.)

Elena-

Oh, that’s right. High school was before I started going to movies all the time. My Great Awakening with film came in college.  This makes more sense now.  Sorry for derailing.  Ahem.  Go on.

Rachel-

So yea. Because Jason Statham. Also because in the trailer he wears a giant cowboy hat and attempts a terrible southern accent, and that’s just something I have to see. Also punching people economically, strategically, and brilliantly. Also also hopefully shirtless and covered in grease or something. (TRANSPORTER FOREVER AND EVER!)

What will make it suck?

Rachel-

Probably JLo. I KNOW. But from what I can tell from the trailer, she’s going to be the hard-working damsel in distress type, and that’s BORING from a plot perspective. I don’t care if JStath saves anyone. I JUST WANT HIM TO PUNCH PEOPLE. JLo should play a villain. I think she’d be tremendous as a villain.

Elena-

If it isn’t funny.

What will make it awesome?

Elena-

If it’s as funny and awesome-death-ful as the live-action Looney Tune Shoot Em Up.

Rachel-

Other than Statham in a cowboy hat, for which I am already eternally grateful, this movie will be awesome if it has lots of slick suit-wearing, and terse dialogue, and the punching of people, and maybe some high-speed precision driving. As close as this movie can get to the Transporter. That would make it awesome.

Additional thoughts on casting or production?

Elena-

No. I know nothing about this film except it’s got Jason Statham being Jason Statham-y. I feel like I got the impression of inept hitman, but honestly? I didn’t really pay attention to the trailer. I am zombie-consumering my way into this one. So, no, I have no additional thoughts.

Rachel-
So this is an adaptation of yet another of author Donald Westlake’s novels (others include Point Blank and Payback which were adaptations of The Hunter), titled Flashfire. Standard crimey/thriller/vengeance fare that your dad probably reads on the toilet. Fine. At least it’s not another Expendables movie. Michael Chiklis is in it, and he’s not a bad actor. JLo seems like some stunt casting to get ladies interested in seeing this film with their husbands instead of the latest romcom. Statham is always a solid choice when it comes to anti-hero crime films. He does it well. He’s been typecast, I’d love to see him try something different. But no one can hit a man with more gymnastic thrust than Jason Statham.

Reaction to Film?

Rachel-

Oh, wow, where to start. The opening was hilarious. Did you come to watch a film with slick moves and jet -setting locations? You’re in the wrong place. Welcome to the great caper at the Ohio State Fair! Statham in a salt and pepper wig with the 60s glasses…what? If I had to identify a cult leader or a serial killer at the Ohio Fair, I would have picked him. The introduction of the anti-hero by creepiness! Hopefully not a new trend! Or maybe he was creepysexy? Especially when he snake-charmed that panicking guard. It almost got kind of sexy? No? Maybe I was already writing the fic in my theater seat. YOLO.

And I didn’t even know it was Chiklis in that clown makeup until he wiped it off in one swipe with that dry towel in their getaway vehicle. Then I noticed poor Statham, returned to his muscle tshirt and buzzed head, smashed up against the passenger door and that is actually a sight  I’ve never seen because THAT DUDE SHOULD BE DRIVING IS WHAT I AM SAYING. *shifts into Party Mode*

Then the movie got all boring because a bunch of creeps beat up Statham and he does not look as good laying halfway in a bog waiting for hill folk as he does when he’s driving nice cars and punching assholes IN THE FACE! Although, I am still very worried about that old man at the hospital. He needed to get to his radiation treatment! So after probably killing a poor old man by making him miss his radiation treatment, Statham attempts to drive cross-country via GTA-style auto thievery. Only he steals a bunch of minivans, and that isn’t fun to watch for 45 minutes. But I did. I watched it for 45 soul-killing minutes.

Fortunately after all the minivan driving you get to the best part of this flick. Statham in a cowboy hat and linen suit driving a nice car around Florida. There’s even a zoom shot of his sweaty ass crack? And he has an absolutely horrible, uterus-shriveling approx of a Texan accent (it’s … not.). And JLo should get an Oscar for successfully pretending to believe his bullshit accent for five minutes.

I’m not selling this at all. HE’S IN A LINEN SUIT AND A TEN GALLON HAT, YOU GUYS. IT’S HILARIOUS. BECAUSE HE’S TERRIBLE.

After what seemed an eternity of fake Texan-touring of mansions with Realtor JLo (during which she figures out everything about the plan because she reads the gossip column in the paper. Whatever.) there’s a toilet fight. A. TOILET. FIGHT. And some assassin guy stabs Statham’s hand, and there are far too many close-ups of the stabbed hand and the skin splitting and all manner of horrors and really this is something Iwould expect from The Following (<3) and not a Statham punch-em-up movie. After the knife and the hanging of a hotel building there’s the lying bloody on JLo’s back porch (where she lives with her mother), and her mom is totally OK with a bloody dude on the back porch and compliments his manhood while offering him soup.

I’m not even going to talk about the jewel heist climax of Parker (it wasn’t the Toilet Fight?), but I have never been more bored about a jewel heist. Seriously, watching Statham gummy guns to the undersides of tables was more interesting than the jewel heist.
Back to Statham eating chicken soup in JLo’s Mom’s kitchen. It was an interesting scene because it encompassed a lot of what worked for the film. The well-behaved bull in the china shop. Blood and gore covered killer eating chicken soup in an immaculate kitchen while being stitched up by his (kind of useless from a plot perspective, but I’m sure she’s a character in all the novels so that’s why they kept her) girlfriend. The dog likes him. Mom likes him (“he’s a real man!), and JLo can’t have him, so why all this sexual tension, it’s weiiiird that he lets her make such a fool of herself! COME ON, PARKER. You have rules!

But it’s also why this movie was so mediocre. Lame jokes, unsatisfying conflicts, a female lead we aren’t rooting for (in fact, I’m worried that her potential b/f copdudebro will get all suspicious about all that cash and get Parker in trouble!), and not so impressive capers are all a snooooooze. Statham carries the genre well, and when he’s allowed to do what he does so well (be terse; hit dudes in the face) then the movie approaches Sunday afternoon Netflix fare. Perhaps if I were a fan of the existing novels it would have been so much more satisfying than an enduring image of Statham in a Cowboy hat. (Though, I will take a gif of the ass sweat shot. I’m not picky.)

Elena-

So…I forgot something at home, and I have to drive back for it.

(Reverses hard.)

Right. Let me tell you a little story about High School Elena.  She was still feeling her way out of the cave she grew up in, the cave of No Pop Culture After 1975 that her parents decided was where they wanted to live for the rest of their lives. And it took her many years to come fully into the sunlight.  She was very pale.  She couldn’t stay out in the bright light of modern culture all day without burning for many years.  Not until college.  So high school was a very delicate time for our intrepid heroine.  She was learning many things. Rom-coms, teenage movies, funny movies—anything anyone could teach her. She learned about MST3K.  One fateful night she watched the MST3K rip on Future War.  It was the best terrible movie of all time, and even in her ignorance of the broader genre of Great Terrible Movies she could recognize that.  It…also contained a very studly kick-boxer who had an amazing round-house kick to the face, the tightest ass she had ever seen on a man, and gems of dialogue like “I am a tool.”  So she sought out via the mystic interwebs a list of all the movies this man had ever made.  They were few in number and low in quality, but she watched them all.  This man had a name, a name you have never heard.  That name, my friends, is Daniel Bernhardt.

Flash forward a good…thirteen years.  Moff Elena is sitting in a theatre, amused and somewhat detached by the spectacle unfolding before her, when who should appear but the greatest tool of all time.  Yes, my friends, that assassin?  The crime-boss’s best man, the real professional, the one he sent to make sure his yokel jewel heisters didn’t fuck anything up again when it came to making people dead?  That was none other than DANIEL BERNHARDT OMFG THAT’S DANIEL! IT’S DANIEL, RACHEL!  DANIEL!!!!!!!!!!!!!!!!!

I…don’t remember the next five minutes of the film.  Really I don’t think I remember much of anything about any scene he was in except that Daniel randomly showed up in a movie I had noooooo idea he was going to be in (he stopped making movies regularly a long time ago, alas), and I spent every second he was on screen blushing and tittering like a school girl.  Probably what Rachel did when Statham’s sweaty crack came on screen (I don’t know; I wasn’t there with her. Alas.)

Um, so, yeah, this movie was amazing. It was totally great! Everyone should see it!  See it and learn the glory that is Danieeeel—

Oh, wait, what’s that?  He wasn’t actually all that awesome in the fight scenes?  Because they were lame fight scenes that were built on smashing heads into toilets instead of roundhouse kicks to the face?  DANIEL WAS CRIMINALLY UNDERUSED! I’m sure it was in Statham’s contract that no villain gets to use a move he can’t do better, and since no one—not even you, Statham—can equal Daniel’s roundhouse I guess that’s why we didn’t get to see it.  Hmph.  Ass.

Anyway, I think we’ve about sped back up to where we should be by now in the reviewing process so let’s get to what I thought about this movie.

It…wasn’t awful?

In the typical scheme of my reviews, that reaction means THIS MOVIE FAILED!  It wasn’t awesome.  It also wasn’t awesome to make fun of.  Humph.  I feel sorely ill-used by this caper.

Rachel called it, this really wasn’t a very exciting heist.  In fact not much of anything about this movie was very exciting.  I will admit, during the prologue at the Ohio State Fair I had a huge grin. That shit was hilar.  State Fair! Best place to make a score of all time, wut.

And then we got into the serious part about they try and kill him, and do a piss-poor job of it, he has to get revenge. And his money. Bam!

Can we talk about the women?  I love Statham’s girlfriend. I am so glad she was there, even if she had no purpose to the plot except to fulfill JLo’s contractual demand of not doing a sex scene (or maybe that was Statham’s!).  But she was a brilliant contrast to JLo’s character.  See, The Girlfriend knew what was up.  She knew how to tell when her house had been infiltrated by a mob boss’s best tool (yessssss! I love you, Daniel!) and how to get herself out alive, keep him from following, and then get the hell out of the way.  She was not going to wind up getting held hostage or get herself killed; she was not a “too stupid to live” crime-girlfriend.  She was the real deal.  So put her in direct contrast to dumbass JLo running around like this wasn’t really happening, like it was a sorority prank or something, and nearly getting everybody killed.  I did appreciate that, once in the hostage situation, she kept her shit together, found the gun, had no compunctions about emptying the chamber and was actually a good shot.  So she wasn’t irredeemable…but she was kind of annoying.  I would not be stupid enough to go to the house.  I’d write it off as a lost cause and then be happily surprised a year later, you know?  So I couldn’t really relate to her.  But I could totally relate to world’s best enabler Girlfriend—“I can’t control him” pretty much sums up how I deal with relationships in real life, friends or SO.  Therefore, pointless or not, I nonetheless appreciated the girlfriend!

And I sort of wondered, at the end…what is JLo going to do with the money?  She can’t use it, except to buy coffee every morning (which, I don’t know, maybe Starbucks’ every day for a lifetime would add up to a decent chunk of that bounty).  Especially not if she got romantically involved with the cop who seemed to think she was still Jenny from the Block.

So, um, yeah, Parker was…well, Parker…was.  Yes.  This movie was.  It happened. I watched it. It wasn’t terrible.  It was an entertaining enough way to spend 118 minutes.  But really I’d have spent that time better either watching Dredd again (which is actually TOTALLY fucking awesome on a re-watch, if we didn’t convince you to see it the first time, let me convince you now) or watching Lee Pace kick ass all over Twilight Part Killmenow again, so in the end I have to downgrade this viewing experience to a waste of my time.  I could have just waited for the .gif of Statham’s sweat-drenched linen-covered bum.

Except then I’d have missed Daniel, and what a shame that would have been. So, upgraded again to “worth it for Daniel and Statham’s bountiful manly good looks”?  Yes. I think that’s where I’m going to leave it.

Need For Speed Adaptation Adds Michael Keaton

Nfs-logo

The popular racing game is now getting its own full length movie and DreamWorks has announced that Michael Keaton will be joining the project. The film adaptation has already cast Aaron Paul, Imogen Poots, Dominic Cooper, Ramon Rodriguez, Rami Malek, Harrison Gilbertson and Scott ‘Kid Cudi’ Mescudi. Continue reading

Under The Dome, Stephen King, Steven Spielberg, Showtime

Roundup of the Super Bowl Spots For This Year’s Upcoming Adaptations

Under The Dome, Stephen King, Steven Spielberg, Showtime

The Super Bowl each year is a huge event in the world of sports as well as the world of advertising. This year’s Super Bowl ad spots showed some new teaser trailers for several highly anticipated big and small screen adaptations that are set to hit theaters and televisions throughout the year. We have rounded them up for you below.

Under The Dome

An upcoming CBS television series based on the novel of the same name by famed writer Stephen King. The first episode was helmed by Niels Arden Oplev, most known for his work on the original The Girl With The Dragon Tattoo. The story tells of a small town in Maine which is cut off from the rest of the world by an invisible dome. With air, food and patience dwindling, societal norms within this town begin to break down.

“Under the Dome” will debut on CBS June 24 at 10/9c.

Oz The Great And Powerful

The Walt Disney Pictures psuedo-adaptation of the classic novel by L. Frank Baum is set to his theaters in 3D, 2D and IMAX 3D theaters on March 8.

Based on the characters and world created in “The Wonderful Wizard of Oz,” the film follows  Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, as he is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot–fame and fortune are his for the taking–that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity–and even a bit of wizardry–Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

The Walking Dead

Time Warner released three new television spots during the Super Bowl for the upcoming second half of season 3. One of the teasers included a cameo from Norman Reedus who plays fan favorite character Daryl. The last two videos are different versions of the same commercial.

“This campaign uniquely and cleverly captures the spirit of ‘The Walking Dead’ as well as featuring one of the series’ most iconic characters, Daryl Dixon,” said Charlie Collier, President and General Manager of AMC. “We are thrilled to be working with Time Warner Cable to bring fans of ‘The Walking Dead,’ one of television’s most passionate and engaged audiences, even better ways to experience and re-experience the zombie apocalypse.”

World War Z

This (not even close) adaptation of the Max Brooks zombie novel features Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale, Matthew Fox and David Morse. The story revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments and threatening to decimate humanity itself.

Iron Man 3

The next installment in the Marvel Cinematic Universe, Walt Disney Pictures and Marvel Studios debuted a 30-second Super Bowl spot for Iron Man 3.

Hitting 3D, 2D and IMAX theaters on May 3, the Shane Black-directed sequel stars Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley and Wang Xuequi.

Tony Stark is back and when he finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?